Show Summary Details
- Title Pages
- Dedication
- Foreword
- Preface
- Acknowledgements
- List of Illustrations
- List of Figures
- List of Tables
- List of Musical Examples
- Mechanics
- Abbreviations
- Introduction
- 1 1640–1670: The Transition from Shawm to Hautboy in France
- 2 The Physical Characteristics of the Hautboy
- 3 1670–1700: The Spread of the ‘French Hoboye’
- 4 Playing the Hautboy
- 5 1700–1730: The International Hautboy
- 6 Bach and the Hautboy
- 7 1730–1760: Italian Ascendancy and the Rise of the Narrow-Bore Hautboy
- Afterword
- Appendix 1 Hautboy players 1600–1760, indexed chronologically by place of work
- Appendix 2 Acoustic profiles
- Appendix 3 Pitch information for sixteen representative hautboy makers
- Appendix 4 Plate 2.7. Anonymous oil portrait of an hautboist (Berlin: Staatliches Institut fur Musikforschung)
- Appendix 5 Partial list of hautboy music requiring mutes
- Appendix 6 Collation of fingering charts
- Appendix 7 Examples of independent C#IS
- Appendix 8 Collation of trill fingerings
- Appendix 9 Pieces possibly for <i>Hautecontre de hautbois</i>
- Appendix 10 Music for <i>Oboe Grande</i>
- Bibliography
- Index
(p.483) Appendix 8 Collation of trill fingerings
(p.483) Appendix 8 Collation of trill fingerings
- Source:
- The Eloquent Oboe
- Publisher:
- Oxford University Press
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- Title Pages
- Dedication
- Foreword
- Preface
- Acknowledgements
- List of Illustrations
- List of Figures
- List of Tables
- List of Musical Examples
- Mechanics
- Abbreviations
- Introduction
- 1 1640–1670: The Transition from Shawm to Hautboy in France
- 2 The Physical Characteristics of the Hautboy
- 3 1670–1700: The Spread of the ‘French Hoboye’
- 4 Playing the Hautboy
- 5 1700–1730: The International Hautboy
- 6 Bach and the Hautboy
- 7 1730–1760: Italian Ascendancy and the Rise of the Narrow-Bore Hautboy
- Afterword
- Appendix 1 Hautboy players 1600–1760, indexed chronologically by place of work
- Appendix 2 Acoustic profiles
- Appendix 3 Pitch information for sixteen representative hautboy makers
- Appendix 4 Plate 2.7. Anonymous oil portrait of an hautboist (Berlin: Staatliches Institut fur Musikforschung)
- Appendix 5 Partial list of hautboy music requiring mutes
- Appendix 6 Collation of fingering charts
- Appendix 7 Examples of independent C#IS
- Appendix 8 Collation of trill fingerings
- Appendix 9 Pieces possibly for <i>Hautecontre de hautbois</i>
- Appendix 10 Music for <i>Oboe Grande</i>
- Bibliography
- Index
