Show Summary Details
- Title Pages
- Epigraph
- Dedication
- Illustrations
- Contributors
- Acknowledgements
- Introduction
- 1 Thorkel Farserk Goes for a Swim: Climate Change, the Medieval Optimum, and the Perils of Amateurism
- 2 ‘The North Remembers’: The Uses and Abuses of the Middle Ages in Irish Political Culture
- 3 Writing the Nation: Historians and National Identities from the Nineteenth to the Twenty-First Centuries<sup>1</sup>
- 4 War, Church, Empire and the Medieval in British Histories for Children
- 5 ‘Adventure? What Is That?’ On <i>Iwein</i>
- 6 Saints’ Cults and Celebrity: The Medieval Legacy
- 7 Is Medieval Music the New Avant-Garde? The Wilful, the Wayward and the Playful
- 8 Medievalism, Byzantinism, and Bulgarian Politics through the Archival Lens
- 9 Digital <i>Mouvance</i>: Once and Future Medieval Poetry Remediated in the Modern World<sup>1</sup>
- 10 Forging ‘Medieval’ Identities: Fortini’s Calendimaggio and Pasolini’s <i>Trilogy of Life</i>
- 11 Chaucer’s and Wordsworth’s Vivid Daisies
- 12 Time, Place, Language and Translation: Ciaran Carson’s <i>The Inferno</i> and <i>The Táin</i>
- 13 Visuality, Violence and the Return of the Middle Ages: Quentin Tarantino’s <i>Inglourious Basterds</i> as an Adaptation of the Nibelungen Story
- 14 Black Skin, Green Masks: Medieval Foliate Heads, Racial Trauma, and Queer World-Making
- 15 The Medium Is the Byzantine: Popular Culture and the Byzantine
- Index
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- Title Pages
- Epigraph
- Dedication
- Illustrations
- Contributors
- Acknowledgements
- Introduction
- 1 Thorkel Farserk Goes for a Swim: Climate Change, the Medieval Optimum, and the Perils of Amateurism
- 2 ‘The North Remembers’: The Uses and Abuses of the Middle Ages in Irish Political Culture
- 3 Writing the Nation: Historians and National Identities from the Nineteenth to the Twenty-First Centuries<sup>1</sup>
- 4 War, Church, Empire and the Medieval in British Histories for Children
- 5 ‘Adventure? What Is That?’ On <i>Iwein</i>
- 6 Saints’ Cults and Celebrity: The Medieval Legacy
- 7 Is Medieval Music the New Avant-Garde? The Wilful, the Wayward and the Playful
- 8 Medievalism, Byzantinism, and Bulgarian Politics through the Archival Lens
- 9 Digital <i>Mouvance</i>: Once and Future Medieval Poetry Remediated in the Modern World<sup>1</sup>
- 10 Forging ‘Medieval’ Identities: Fortini’s Calendimaggio and Pasolini’s <i>Trilogy of Life</i>
- 11 Chaucer’s and Wordsworth’s Vivid Daisies
- 12 Time, Place, Language and Translation: Ciaran Carson’s <i>The Inferno</i> and <i>The Táin</i>
- 13 Visuality, Violence and the Return of the Middle Ages: Quentin Tarantino’s <i>Inglourious Basterds</i> as an Adaptation of the Nibelungen Story
- 14 Black Skin, Green Masks: Medieval Foliate Heads, Racial Trauma, and Queer World-Making
- 15 The Medium Is the Byzantine: Popular Culture and the Byzantine
- Index
