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Russian Music since 1917Reappraisal and Rediscovery$
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Patrick Zuk and Marina Frolova-Walker

Print publication date: 2017

Print ISBN-13: 9780197266151

Published to British Academy Scholarship Online: January 2018

DOI: 10.5871/bacad/9780197266151.001.0001

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Paradigms of Contemporary Music in Twenty-First-Century Russia

Paradigms of Contemporary Music in Twenty-First-Century Russia

Chapter:
(p.396) Chapter 18 Paradigms of Contemporary Music in Twenty-First-Century Russia
Source:
Russian Music since 1917
Author(s):

Lidia Ader

Publisher:
British Academy
DOI:10.5871/bacad/9780197266151.003.0018

This chapter offers an account of the circumstances in which contemporary composers have had to operate since the collapse of the Soviet Union and the attendant diminution in state support for the arts which had been provided under the Communist regime. In addition to assessing the implications of these changes in practical terms, it also analyses the cultural, social, and historical factors which have caused new music to remain at the margins of general awareness. The second part of the chapter surveys the ways in which the principal stylistic tendencies evident in Russian new music today evince a lingering ambivalence in attitudes towards the West.

Keywords:   post-Soviet culture, Russian new music, reception of new music, avant-garde music

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