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Insane Acquaintances: Visual Modernism and Public Taste in Britain, 1910-1951
Daniel Moore
Insane Acquaintances charts the varied encounters between artistic modernism and the British public in the years between ‘Manet and the Post-Impressionists’ (1910) and the Festival of Britain (1951). Through a range of case studies, Insane Acquaintances explores the social, political and cultural impact of visual modernism over the course of four decades... Read more
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