Daniel Moore
- Published in print:
- 2020
- Published Online:
- January 2021
- ISBN:
- 9780197266755
- eISBN:
- 9780191916038
- Item type:
- book
- Publisher:
- British Academy
- DOI:
- 10.5871/bacad/9780197266755.001.0001
- Subject:
- Art, Art History
Insane Acquaintances charts the varied encounters between artistic modernism and the British public in the years between ‘Manet and the Post-Impressionists’ (1910) and the Festival of Britain (1951). ...
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Insane Acquaintances charts the varied encounters between artistic modernism and the British public in the years between ‘Manet and the Post-Impressionists’ (1910) and the Festival of Britain (1951). Through a range of case studies which explore the work of the ‘mediators’ of modernism in Britain – those individuals, groups and organisations which facilitated the introduction of modernist art and design to public audiences during the first part of the twentieth century – Insane Acquaintances explores the social, political and cultural impact of visual modernism over the course of four decades. Focusing on the efforts to legitimise, explain and make authentic the abstract (and often continental) modernist aesthetics that shaped British artistic culture during the years 1910-1951, this study charts the changing taste of the nation, through chapters on Postimpressionist art and crafts, modernist art in schools, the home design and decoration, Surrealism and revolution and the post-War institutionalisation and funding of the arts.Less
Insane Acquaintances charts the varied encounters between artistic modernism and the British public in the years between ‘Manet and the Post-Impressionists’ (1910) and the Festival of Britain (1951). Through a range of case studies which explore the work of the ‘mediators’ of modernism in Britain – those individuals, groups and organisations which facilitated the introduction of modernist art and design to public audiences during the first part of the twentieth century – Insane Acquaintances explores the social, political and cultural impact of visual modernism over the course of four decades. Focusing on the efforts to legitimise, explain and make authentic the abstract (and often continental) modernist aesthetics that shaped British artistic culture during the years 1910-1951, this study charts the changing taste of the nation, through chapters on Postimpressionist art and crafts, modernist art in schools, the home design and decoration, Surrealism and revolution and the post-War institutionalisation and funding of the arts.
W. Mark Ormrod, Joanna Story, and Elizabeth M. Tyler (eds)
- Published in print:
- 2020
- Published Online:
- January 2021
- ISBN:
- 9780197266724
- eISBN:
- 9780191916052
- Item type:
- book
- Publisher:
- British Academy
- DOI:
- 10.5871/bacad/9780197266724.001.0001
- Subject:
- Sociology, Migration Studies (including Refugee Studies)
This book is a ground-breaking study of the phenomenon of migration in and to England over the medieval millennium, between c. AD 500 and c. AD 1500. It reaches across traditional scholarly divides, ...
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This book is a ground-breaking study of the phenomenon of migration in and to England over the medieval millennium, between c. AD 500 and c. AD 1500. It reaches across traditional scholarly divides, both disciplinary and chronological, to investigate, for the first time, the different types of data and scholarly methods that reveal evidence of migration and mobility within the medieval kingdom of England. England offers the opportunity for studying migration and migrants over the longue durée, because it has been a recognisable political unit for over a millennium and because a wealth of source material has survived from these centuries. The data vary unevenly in quality and quantity across this period, but become considerably more powerful through multi-disciplinary approaches to data collection and interpretation. Fifteen subject specialists synthesise and extend recent research in a wide range of disciplines, including archaeology, art history, genetics, historical linguistics, history, literature and onomastics. They evaluate the capacity of different genres of evidence for addressing questions around migration and its effects on the identities of groups and individuals within medieval England, as well as methodological parameters and future research potential. The book therefore marks an important contribution to medieval studies, and to modern debates on migration and the free movement of people, arguing that migration in the modern world, and its reverberations, cannot be completely understood without taking a broad historical perspective on the topic.Less
This book is a ground-breaking study of the phenomenon of migration in and to England over the medieval millennium, between c. AD 500 and c. AD 1500. It reaches across traditional scholarly divides, both disciplinary and chronological, to investigate, for the first time, the different types of data and scholarly methods that reveal evidence of migration and mobility within the medieval kingdom of England. England offers the opportunity for studying migration and migrants over the longue durée, because it has been a recognisable political unit for over a millennium and because a wealth of source material has survived from these centuries. The data vary unevenly in quality and quantity across this period, but become considerably more powerful through multi-disciplinary approaches to data collection and interpretation. Fifteen subject specialists synthesise and extend recent research in a wide range of disciplines, including archaeology, art history, genetics, historical linguistics, history, literature and onomastics. They evaluate the capacity of different genres of evidence for addressing questions around migration and its effects on the identities of groups and individuals within medieval England, as well as methodological parameters and future research potential. The book therefore marks an important contribution to medieval studies, and to modern debates on migration and the free movement of people, arguing that migration in the modern world, and its reverberations, cannot be completely understood without taking a broad historical perspective on the topic.
Micaela Langellotti and D. W. Rathbone
- Published in print:
- 2020
- Published Online:
- January 2021
- ISBN:
- 9780197266779
- eISBN:
- 9780191916069
- Item type:
- book
- Publisher:
- British Academy
- DOI:
- 10.5871/bacad/9780197266779.001.0001
- Subject:
- Sociology, Urban and Rural Studies
This volume is the first to survey village institutions in Egypt during the first eight centuries AD, from the beginning of Roman rule to the early Arab period. Despite the many studies of society ...
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This volume is the first to survey village institutions in Egypt during the first eight centuries AD, from the beginning of Roman rule to the early Arab period. Despite the many studies of society and administration in Ptolemaic and Roman Egypt, there are no general studies of village institutions or communities in any one period, let alone in a long-term perspective, or integrated investigation of their relationship to the wider state. This volume, which represents a first response to fill this gap in the current scholarship, aims to demonstrate that Egypt is a particularly productive place to develop study of this subject because the rich documentary evidence of the papyri, a large majority of which comes from village sites, permits us both to study specific topics in detail by place and time, as the eleven papers of this volume do, and also to make comparisons across a long chronological period. These comparisons across time are beneficial because they raise questions about changing patterns and perspectives of the surviving documents, which may skew interpretation, and enable us to outline what seem to emerge as recurrent issues in the power-relationships between central and regional authorities and the rural population, as well as some preliminary indications of the trends in those developments across our period.Less
This volume is the first to survey village institutions in Egypt during the first eight centuries AD, from the beginning of Roman rule to the early Arab period. Despite the many studies of society and administration in Ptolemaic and Roman Egypt, there are no general studies of village institutions or communities in any one period, let alone in a long-term perspective, or integrated investigation of their relationship to the wider state. This volume, which represents a first response to fill this gap in the current scholarship, aims to demonstrate that Egypt is a particularly productive place to develop study of this subject because the rich documentary evidence of the papyri, a large majority of which comes from village sites, permits us both to study specific topics in detail by place and time, as the eleven papers of this volume do, and also to make comparisons across a long chronological period. These comparisons across time are beneficial because they raise questions about changing patterns and perspectives of the surviving documents, which may skew interpretation, and enable us to outline what seem to emerge as recurrent issues in the power-relationships between central and regional authorities and the rural population, as well as some preliminary indications of the trends in those developments across our period.
Eyal Poleg
- Published in print:
- 2020
- Published Online:
- January 2021
- ISBN:
- 9780197266717
- eISBN:
- 9780191916045
- Item type:
- book
- Publisher:
- British Academy
- DOI:
- 10.5871/bacad/9780197266717.001.0001
- Subject:
- Religion, History of Christianity
This book examines the production and use of Bibles in late medieval and early modern England. The analysis of hundreds of biblical manuscripts and prints reveals how scribes, printers, readers, and ...
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This book examines the production and use of Bibles in late medieval and early modern England. The analysis of hundreds of biblical manuscripts and prints reveals how scribes, printers, readers, and patrons have reacted to religious and political turmoil. Looking at the modification of biblical manuscripts, or the changes introduced into subsequent printed editions, reveals the ways in which commerce and devotions joined to shape biblical access. The book explores the period from c.1200 to 1553, which saw the advent of moveable-type print as well as the Reformation. The book’s long-view places both technological and religious transformation in a new perspective. The book progresses chronologically, starting with the mass-produced innovative Late Medieval Bible, which has often been linked to the emerging universities and book-trade of the thirteenth century. The second chapter explores Wycliffite Bibles, arguing against their common affiliation with groups outside Church orthodoxy. Rather, it demonstrates how surviving manuscripts are linked to licit worship, performed in smaller monastic houses, by nuns and devout lay women and men. The third chapter explores the creation and use of the first Bible printed in England as evidence for the uncertain course of reform at the end of Henry VIII’s reign. Henry VIII’s Great Bible is studied in the following chapter. Rather than a monument to reform, a careful analysis of its materiality and use reveals it to have been a mostly useless book. The final chapter presents the short reign of Edward VI as a period of rapid transformation in Bible and worship, when some of the innovations introduced more than three hundred years earlier began, for the first time, to make sense.Less
This book examines the production and use of Bibles in late medieval and early modern England. The analysis of hundreds of biblical manuscripts and prints reveals how scribes, printers, readers, and patrons have reacted to religious and political turmoil. Looking at the modification of biblical manuscripts, or the changes introduced into subsequent printed editions, reveals the ways in which commerce and devotions joined to shape biblical access. The book explores the period from c.1200 to 1553, which saw the advent of moveable-type print as well as the Reformation. The book’s long-view places both technological and religious transformation in a new perspective. The book progresses chronologically, starting with the mass-produced innovative Late Medieval Bible, which has often been linked to the emerging universities and book-trade of the thirteenth century. The second chapter explores Wycliffite Bibles, arguing against their common affiliation with groups outside Church orthodoxy. Rather, it demonstrates how surviving manuscripts are linked to licit worship, performed in smaller monastic houses, by nuns and devout lay women and men. The third chapter explores the creation and use of the first Bible printed in England as evidence for the uncertain course of reform at the end of Henry VIII’s reign. Henry VIII’s Great Bible is studied in the following chapter. Rather than a monument to reform, a careful analysis of its materiality and use reveals it to have been a mostly useless book. The final chapter presents the short reign of Edward VI as a period of rapid transformation in Bible and worship, when some of the innovations introduced more than three hundred years earlier began, for the first time, to make sense.
Marlé Hammond
- Published in print:
- 2020
- Published Online:
- September 2020
- ISBN:
- 9780197266687
- eISBN:
- 9780191905407
- Item type:
- book
- Publisher:
- British Academy
- DOI:
- 10.5871/bacad/9780197266687.001.0001
- Subject:
- Literature, 18th-century Literature
This book is a bilingual edition and study of a lengthy specimen of pre-modern Arabic storytelling. The tale’s origins are unknown but it probably dates from the seventeenth century. As a sustained ...
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This book is a bilingual edition and study of a lengthy specimen of pre-modern Arabic storytelling. The tale’s origins are unknown but it probably dates from the seventeenth century. As a sustained fairy tale of the knight-in-shining-armour-rescues-damsel-in-distress variety, it reads as fiction and was probably intended as such. However, scholars in the Arab renaissance or Nahḍa received the text as history. Its pre-Islamic protagonists, ever emoting in verse, were thus celebrated as some of the earliest Arabic poets. The Arabic text featured in the monograph is sourced from five manuscripts and three published editions, and it is modelled on what I call the ‘Christian’ branch of the tale, or that version of the tale which identifies its hero as a Christian and which was promulgated by Christian scholars and literati in the nineteenth century. Two analytical chapters frame the tale: an introductory chapter which charts the evolution of the narrative and its cultural import through to the end of the twentieth century, and a concluding chapter that breaks the story down into its components and compares its structure to both the ʿUdhrī love tale and the popular epic or sīra, thereby situating the text as a hybrid precursor to the modern novel.Less
This book is a bilingual edition and study of a lengthy specimen of pre-modern Arabic storytelling. The tale’s origins are unknown but it probably dates from the seventeenth century. As a sustained fairy tale of the knight-in-shining-armour-rescues-damsel-in-distress variety, it reads as fiction and was probably intended as such. However, scholars in the Arab renaissance or Nahḍa received the text as history. Its pre-Islamic protagonists, ever emoting in verse, were thus celebrated as some of the earliest Arabic poets. The Arabic text featured in the monograph is sourced from five manuscripts and three published editions, and it is modelled on what I call the ‘Christian’ branch of the tale, or that version of the tale which identifies its hero as a Christian and which was promulgated by Christian scholars and literati in the nineteenth century. Two analytical chapters frame the tale: an introductory chapter which charts the evolution of the narrative and its cultural import through to the end of the twentieth century, and a concluding chapter that breaks the story down into its components and compares its structure to both the ʿUdhrī love tale and the popular epic or sīra, thereby situating the text as a hybrid precursor to the modern novel.
Laura Wright
- Published in print:
- 2020
- Published Online:
- September 2020
- ISBN:
- 9780197266557
- eISBN:
- 9780191905377
- Item type:
- book
- Publisher:
- British Academy
- DOI:
- 10.5871/bacad/9780197266557.001.0001
- Subject:
- Linguistics, Sociolinguistics / Anthropological Linguistics
This book traces developments in the history of British house-names from the tenth century, beginning with medieval house-naming practices referencing the householder’s name, the householder’s ...
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This book traces developments in the history of British house-names from the tenth century, beginning with medieval house-naming practices referencing the householder’s name, the householder’s occupation, and the appearance of the house. In the early fourteenth century heraldic names appeared on commercial premises: tavern names such as la Worm on the Hope, and shop names such as the Golden Tea Kettle & Speaking Trumpet. From the eighteenth century five main categories are identified: the transferred place-name, the nostalgically rural, the commemorative, names associated with the nobility, and the latest fashion or fad. From the nineteenth century new developments are ‘pick & mix’ names consisting of uncoupled elements from British place-names joined together in new combinations, and jocular house-names. Historically, the house-name Sunnyside predominates in Scotland, and is traced through Middle English, Medieval Latin, Anglo-Norman French Scottish Gaelic, and the influence of Old Norse, recording a prehistoric Nordic land-division practice known as solskifte. It was spread southwards in the eighteenth century by Nonconformists, and became a Quaker shibboleth. Quakers took the name to North America where it remains in use as a church name. A specific historic Sunnyside in the Scottish Borders influenced author Washington Irving to name his famous New York Sunnyside, which boosted the name’s popularity. London Sunnysides of the 1870s were grand suburban residences owned by rich industrialist Nonconformists with Scottish family ties, confirming the trend.Less
This book traces developments in the history of British house-names from the tenth century, beginning with medieval house-naming practices referencing the householder’s name, the householder’s occupation, and the appearance of the house. In the early fourteenth century heraldic names appeared on commercial premises: tavern names such as la Worm on the Hope, and shop names such as the Golden Tea Kettle & Speaking Trumpet. From the eighteenth century five main categories are identified: the transferred place-name, the nostalgically rural, the commemorative, names associated with the nobility, and the latest fashion or fad. From the nineteenth century new developments are ‘pick & mix’ names consisting of uncoupled elements from British place-names joined together in new combinations, and jocular house-names. Historically, the house-name Sunnyside predominates in Scotland, and is traced through Middle English, Medieval Latin, Anglo-Norman French Scottish Gaelic, and the influence of Old Norse, recording a prehistoric Nordic land-division practice known as solskifte. It was spread southwards in the eighteenth century by Nonconformists, and became a Quaker shibboleth. Quakers took the name to North America where it remains in use as a church name. A specific historic Sunnyside in the Scottish Borders influenced author Washington Irving to name his famous New York Sunnyside, which boosted the name’s popularity. London Sunnysides of the 1870s were grand suburban residences owned by rich industrialist Nonconformists with Scottish family ties, confirming the trend.
Lucy Noakes, Claire Langhamer, and Claudia Siebrecht (eds)
- Published in print:
- 2020
- Published Online:
- September 2020
- ISBN:
- 9780197266663
- eISBN:
- 9780191905384
- Item type:
- book
- Publisher:
- British Academy
- DOI:
- 10.5871/bacad/9780197266663.001.0001
- Subject:
- History, European Modern History
War is often lived through and remembered as a time of heightened emotional intensity. This edited collection places the emotions of war centre stage. It explores emotional responses in particular ...
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War is often lived through and remembered as a time of heightened emotional intensity. This edited collection places the emotions of war centre stage. It explores emotional responses in particular wartime locations, maps national and transnational emotional cultures, and proposes new ways of deploying emotion as an analytical device.
Whilst grief and fear are among the emotions most immediately associated with the rhetoric, experience, and memory of war, this collection suggests that feelings such as love, shame, pride, jealousy, anger, and resentment also merit attention. This book explores the status and uses of emotion as a category of historical and contemporaneous analysis. It goes beyond the cataloguing of discrete feelings to consider the use of emotion to understand the past. It considers the emotional agency of historical actors and the contexts, modes, and time frames in which they communicated their feelings. Wartime provides a dynamic context for thinking through the possibilities and limitations of the emotional approach.
This collection provides case studies that explain how emotional registers respond to world events. These range from First World War Germany, interwar France, and Second World War Britain to the Greek Civil War and to the post-war world. Several chapters trace the emotional legacy of war across different conflicts and to the present day: they show how past, present, and possible futures intersect in the emotions of a moment. They also reveal links between the intimate, the national, and the international, between interiority and sociality, and between conflict and its aftermath.Less
War is often lived through and remembered as a time of heightened emotional intensity. This edited collection places the emotions of war centre stage. It explores emotional responses in particular wartime locations, maps national and transnational emotional cultures, and proposes new ways of deploying emotion as an analytical device.
Whilst grief and fear are among the emotions most immediately associated with the rhetoric, experience, and memory of war, this collection suggests that feelings such as love, shame, pride, jealousy, anger, and resentment also merit attention. This book explores the status and uses of emotion as a category of historical and contemporaneous analysis. It goes beyond the cataloguing of discrete feelings to consider the use of emotion to understand the past. It considers the emotional agency of historical actors and the contexts, modes, and time frames in which they communicated their feelings. Wartime provides a dynamic context for thinking through the possibilities and limitations of the emotional approach.
This collection provides case studies that explain how emotional registers respond to world events. These range from First World War Germany, interwar France, and Second World War Britain to the Greek Civil War and to the post-war world. Several chapters trace the emotional legacy of war across different conflicts and to the present day: they show how past, present, and possible futures intersect in the emotions of a moment. They also reveal links between the intimate, the national, and the international, between interiority and sociality, and between conflict and its aftermath.
Diana Knight (ed.)
- Published in print:
- 2020
- Published Online:
- September 2020
- ISBN:
- 9780197266670
- eISBN:
- 9780191905391
- Item type:
- book
- Publisher:
- British Academy
- DOI:
- 10.5871/bacad/9780197266670.001.0001
- Subject:
- Literature, Film, Media, and Cultural Studies
The disciplinary range of Barthes’s work is unusually diverse, as is that of its reception. An energetic contributor to the human sciences in postwar France, Barthes is credited with a pivotal role ...
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The disciplinary range of Barthes’s work is unusually diverse, as is that of its reception. An energetic contributor to the human sciences in postwar France, Barthes is credited with a pivotal role in the emergence of interdisciplinarity. But Barthes was alert to its recuperation by the technocratic higher-education reforms of 1968, referring to ‘the myth of interdisciplinarity’. He was equally wary of a federation of disciplines that would leave each one comfortably unchanged, rather than overturning the intellectual landscape. A more fertile interdisciplinarity originates in Barthes’s intensive reading of Michelet in the sanatorium. It is tracked through his euphoric discovery of structuralism to his teaching at the École pratique des hautes études, and his idiosyncratic aspirations for a ‘peripatetic’ chair of literary semiology at the Collège de France. Barthes was interested in the historically shifting hierarchies of disciplines, noting the equal status of the trivium and quadrivium within the medieval septenium, and bemoaning the downgrading of language to mere instrumentality within the contemporary human sciences. Literature, which already contains within it all forms of knowledge, is proposed as a transformative discipline despite its current exclusion, a corrective for the refusal of the human sciences to pay attention to their discourse.Less
The disciplinary range of Barthes’s work is unusually diverse, as is that of its reception. An energetic contributor to the human sciences in postwar France, Barthes is credited with a pivotal role in the emergence of interdisciplinarity. But Barthes was alert to its recuperation by the technocratic higher-education reforms of 1968, referring to ‘the myth of interdisciplinarity’. He was equally wary of a federation of disciplines that would leave each one comfortably unchanged, rather than overturning the intellectual landscape. A more fertile interdisciplinarity originates in Barthes’s intensive reading of Michelet in the sanatorium. It is tracked through his euphoric discovery of structuralism to his teaching at the École pratique des hautes études, and his idiosyncratic aspirations for a ‘peripatetic’ chair of literary semiology at the Collège de France. Barthes was interested in the historically shifting hierarchies of disciplines, noting the equal status of the trivium and quadrivium within the medieval septenium, and bemoaning the downgrading of language to mere instrumentality within the contemporary human sciences. Literature, which already contains within it all forms of knowledge, is proposed as a transformative discipline despite its current exclusion, a corrective for the refusal of the human sciences to pay attention to their discourse.
Nicholas Hardy and Dmitri Levitin (eds)
- Published in print:
- 2019
- Published Online:
- May 2020
- ISBN:
- 9780197266601
- eISBN:
- 9780191896057
- Item type:
- book
- Publisher:
- British Academy
- DOI:
- 10.5871/bacad/9780197266601.001.0001
- Subject:
- Religion, Religious Studies
This volume examines the relationship between the history of scholarship and the history of Christianity in the early modern period. Leading British, American and continental scholars explore the ...
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This volume examines the relationship between the history of scholarship and the history of Christianity in the early modern period. Leading British, American and continental scholars explore the ways in which erudition contributed to—or clashed with—the formation of confessional identities in the wake of the Reformation, at individual, institutional, national and international levels. Covering Catholics and Protestants in equal measure, the essays assess biblical criticism; the study of the church fathers; the ecclesiastical censorship of scholarly works; oriental studies and the engagement with Near Eastern languages, texts and communities; and the relationship between developments in scholarship and other domains, including practical piety, natural philosophy, and the universities and seminaries where most intellectual activity was still conducted. One of the volume’s main strengths is its chronological coverage. It begins with an unprecedentedly detailed and comprehensive review of the scholarly literature in this field and proceeds with case studies ranging from the early Reformation to the eighteenth century. The volume also features the publication of a remarkable new manuscript detailing Isaac Newton’s early theological studies in 1670s Cambridge. It will be of interest not only to early modern intellectual and religious historians, but also to those with broader interests in religious change, the reception of oriental and classical sources and traditions, the history of science, and in the sociology of knowledge.Less
This volume examines the relationship between the history of scholarship and the history of Christianity in the early modern period. Leading British, American and continental scholars explore the ways in which erudition contributed to—or clashed with—the formation of confessional identities in the wake of the Reformation, at individual, institutional, national and international levels. Covering Catholics and Protestants in equal measure, the essays assess biblical criticism; the study of the church fathers; the ecclesiastical censorship of scholarly works; oriental studies and the engagement with Near Eastern languages, texts and communities; and the relationship between developments in scholarship and other domains, including practical piety, natural philosophy, and the universities and seminaries where most intellectual activity was still conducted. One of the volume’s main strengths is its chronological coverage. It begins with an unprecedentedly detailed and comprehensive review of the scholarly literature in this field and proceeds with case studies ranging from the early Reformation to the eighteenth century. The volume also features the publication of a remarkable new manuscript detailing Isaac Newton’s early theological studies in 1670s Cambridge. It will be of interest not only to early modern intellectual and religious historians, but also to those with broader interests in religious change, the reception of oriental and classical sources and traditions, the history of science, and in the sociology of knowledge.
Ben Wellings and Andrew Mycock (eds)
- Published in print:
- 2019
- Published Online:
- May 2020
- ISBN:
- 9780197266618
- eISBN:
- 9780191896064
- Item type:
- book
- Publisher:
- British Academy
- DOI:
- 10.5871/bacad/9780197266618.001.0001
- Subject:
- Political Science, Comparative Politics
This volume provides the first detailed analyses of the ‘Anglosphere’ – a re-imagined transnational community of the English-speaking peoples – which came to international prominence in the wake of ...
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This volume provides the first detailed analyses of the ‘Anglosphere’ – a re-imagined transnational community of the English-speaking peoples – which came to international prominence in the wake of Brexit. It brings together leading international experts to examine the Anglosphere’s historical links to the British Empire. It interprets the shifting political and economic fortunes of this contested idea, the locations where it is enacted and how it continues to inform transnational identities and politics across the English-speaking world today. The volume reveals that although the Anglosphere is founded on a common view of the past, its advocates seek a shared future which is never fully attained. The volume examines the claims of its proponents regarding the Anglosphere's continuities and commonalities, and argues that its post-Brexit potential is in fact undermined by very real historical and contemporary differences. Ultimately, the Anglosphere is an unsuitable vehicle for ‘Global Britain’ and for a reordering of the West in international relations. This book will appeal to those interested in the causes and consequences of Brexit, right-wing politics in the UK, the USA, Australia, New Zealand and Canada, and the shifting international relations of the twenty-first century.Less
This volume provides the first detailed analyses of the ‘Anglosphere’ – a re-imagined transnational community of the English-speaking peoples – which came to international prominence in the wake of Brexit. It brings together leading international experts to examine the Anglosphere’s historical links to the British Empire. It interprets the shifting political and economic fortunes of this contested idea, the locations where it is enacted and how it continues to inform transnational identities and politics across the English-speaking world today. The volume reveals that although the Anglosphere is founded on a common view of the past, its advocates seek a shared future which is never fully attained. The volume examines the claims of its proponents regarding the Anglosphere's continuities and commonalities, and argues that its post-Brexit potential is in fact undermined by very real historical and contemporary differences. Ultimately, the Anglosphere is an unsuitable vehicle for ‘Global Britain’ and for a reordering of the West in international relations. This book will appeal to those interested in the causes and consequences of Brexit, right-wing politics in the UK, the USA, Australia, New Zealand and Canada, and the shifting international relations of the twenty-first century.
Jayne Carroll, Andrew Reynolds, and Barbara Yorke (eds)
- Published in print:
- 2019
- Published Online:
- May 2020
- ISBN:
- 9780197266588
- eISBN:
- 9780191896040
- Item type:
- book
- Publisher:
- British Academy
- DOI:
- 10.5871/bacad/9780197266588.001.0001
- Subject:
- Archaeology, Historical Archaeology
This volume brings together a series of case studies of spatial configurations of power among the early medieval societies of Europe. The geographical range extends from Ireland to Kosovo and from ...
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This volume brings together a series of case studies of spatial configurations of power among the early medieval societies of Europe. The geographical range extends from Ireland to Kosovo and from Scandinavia to the Mediterranean world and brings together quite different scholarly traditions in a focused enquiry into the character of places of power from the end of the Roman period into the central Middle Ages. The book's strength lies in the basis that it provides for a comparative analysis of the formation, function and range of power relations in early medieval societies. The editors' introductory chapter provides an extended scene setting review of the current state of knowledge in the field of early medieval social complexity and sets out an agenda for future work in this topical area. The regional and local case studies found in the volume, most of them interdisciplinary, showcase detailed studies of particular situations at a range of scales. While much previous work tends to focus on comparisons with the classical world, this volume emphasises the uniqueness of early medieval modes of social organisation and the need to assess these societies on their own terms.Less
This volume brings together a series of case studies of spatial configurations of power among the early medieval societies of Europe. The geographical range extends from Ireland to Kosovo and from Scandinavia to the Mediterranean world and brings together quite different scholarly traditions in a focused enquiry into the character of places of power from the end of the Roman period into the central Middle Ages. The book's strength lies in the basis that it provides for a comparative analysis of the formation, function and range of power relations in early medieval societies. The editors' introductory chapter provides an extended scene setting review of the current state of knowledge in the field of early medieval social complexity and sets out an agenda for future work in this topical area. The regional and local case studies found in the volume, most of them interdisciplinary, showcase detailed studies of particular situations at a range of scales. While much previous work tends to focus on comparisons with the classical world, this volume emphasises the uniqueness of early medieval modes of social organisation and the need to assess these societies on their own terms.
Reinhard Strohm (ed.)
- Published in print:
- 2019
- Published Online:
- January 2020
- ISBN:
- 9780197266564
- eISBN:
- 9780191889394
- Item type:
- book
- Publisher:
- British Academy
- DOI:
- 10.5871/bacad/9780197266564.001.0001
- Subject:
- Music, Ethnomusicology, World Music
The book, derived from the Balzan musicology project ‘Towards a global history of music’, describes cultural traditions and communication patterns of music, dance and theatre in the world region ...
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The book, derived from the Balzan musicology project ‘Towards a global history of music’, describes cultural traditions and communication patterns of music, dance and theatre in the world region between India and the Mediterranean in the last 2000 years. The new metaphor of the ‘Music Road’—the western half of the ‘Silk Road’—refers to the travels of musical songs, instruments and ideas across both space and time. The book has an introduction and 16 chapters, each by a different author. Highlighted are the following cultural traditions: ancient Gandhāra (first centuries ce); traditions of the Alexander legend; the musical philosophy and practice of Muslim societies; colonial India and the West; Greek music and nationalism (19th–20th centuries); travelling music-theatre companies in the Eastern Mediterranean; the ‘Gypsy rhapsody’ in European art music. The keynote chapter by Martin Stokes reviews the work of Villoteau and Lachmann, advocating a fusion of historical thought and ethnomusicology. The book offers case studies not only on music per se, but also on fine art, dance, musical theatre, on the theology, philosophy, historiography and literature of music, and on East–West relations in the musical practice of colonial and modern times. It is argued in the introduction and implied elsewhere that the musical culture of this world region, and its interactions with the West, have always been on the move, that its diversities and disruptions are counterbalanced by numerous internal and external linkages, and that the reifying term of ‘orientalism’ might be replaced by ‘the East–West imagination’.Less
The book, derived from the Balzan musicology project ‘Towards a global history of music’, describes cultural traditions and communication patterns of music, dance and theatre in the world region between India and the Mediterranean in the last 2000 years. The new metaphor of the ‘Music Road’—the western half of the ‘Silk Road’—refers to the travels of musical songs, instruments and ideas across both space and time. The book has an introduction and 16 chapters, each by a different author. Highlighted are the following cultural traditions: ancient Gandhāra (first centuries ce); traditions of the Alexander legend; the musical philosophy and practice of Muslim societies; colonial India and the West; Greek music and nationalism (19th–20th centuries); travelling music-theatre companies in the Eastern Mediterranean; the ‘Gypsy rhapsody’ in European art music. The keynote chapter by Martin Stokes reviews the work of Villoteau and Lachmann, advocating a fusion of historical thought and ethnomusicology. The book offers case studies not only on music per se, but also on fine art, dance, musical theatre, on the theology, philosophy, historiography and literature of music, and on East–West relations in the musical practice of colonial and modern times. It is argued in the introduction and implied elsewhere that the musical culture of this world region, and its interactions with the West, have always been on the move, that its diversities and disruptions are counterbalanced by numerous internal and external linkages, and that the reifying term of ‘orientalism’ might be replaced by ‘the East–West imagination’.
Victoria Van Hyning
- Published in print:
- 2019
- Published Online:
- January 2020
- ISBN:
- 9780197266571
- eISBN:
- 9780191889400
- Item type:
- book
- Publisher:
- British Academy
- DOI:
- 10.5871/bacad/9780197266571.001.0001
- Subject:
- Literature, Women's Literature
Convent Autobiography explores the ways in which cloistered women articulated their senses of self through genres such as letters, chronicles, accounts, guidance and devotional manuals, and ...
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Convent Autobiography explores the ways in which cloistered women articulated their senses of self through genres such as letters, chronicles, accounts, guidance and devotional manuals, and conversion narratives. The book explores writings by early modern English women who elected a double self-exile from home and ‘from the world’, undertakings that shaped and informed so much of their self-writing. These nuns sometimes composed under their own names, but many composed anonymously. Using a combination of close reading, palaeography, manuscript evidence and other data, this book reveals the identities of half a dozen women, including descendants of Sir Thomas More, whose contributions to English literature and history were hitherto unknown. Although anonymous composition was in keeping with monastic norms of humility, Convent Autobiography argues anonymity offered paradoxical freedoms, such as enabling an author to write extensively about her own family, and herself, or to present institutional narratives through the lens of her own experiences. Three case studies devoted to anonymous chronicling reveal the complexity of authorial strategies of self and communal representation. On the basis of these, two new genres of autobiography are proposed: anonymous and subsumed autobiography. These definitions have wider application beyond convent and early modern literature. The book includes a complete edition of the vibrant conversion narrative, lists, and prayers of Catherine Holland, who defied her Protestant father by running away to join the convent of Nazareth where she could practise Catholicism and ‘escape the slavery of marriage’.Less
Convent Autobiography explores the ways in which cloistered women articulated their senses of self through genres such as letters, chronicles, accounts, guidance and devotional manuals, and conversion narratives. The book explores writings by early modern English women who elected a double self-exile from home and ‘from the world’, undertakings that shaped and informed so much of their self-writing. These nuns sometimes composed under their own names, but many composed anonymously. Using a combination of close reading, palaeography, manuscript evidence and other data, this book reveals the identities of half a dozen women, including descendants of Sir Thomas More, whose contributions to English literature and history were hitherto unknown. Although anonymous composition was in keeping with monastic norms of humility, Convent Autobiography argues anonymity offered paradoxical freedoms, such as enabling an author to write extensively about her own family, and herself, or to present institutional narratives through the lens of her own experiences. Three case studies devoted to anonymous chronicling reveal the complexity of authorial strategies of self and communal representation. On the basis of these, two new genres of autobiography are proposed: anonymous and subsumed autobiography. These definitions have wider application beyond convent and early modern literature. The book includes a complete edition of the vibrant conversion narrative, lists, and prayers of Catherine Holland, who defied her Protestant father by running away to join the convent of Nazareth where she could practise Catholicism and ‘escape the slavery of marriage’.
Robert Parker (ed.)
- Published in print:
- 2019
- Published Online:
- September 2019
- ISBN:
- 9780197266540
- eISBN:
- 9780191884245
- Item type:
- book
- Publisher:
- British Academy
- DOI:
- 10.5871/bacad/9780197266540.001.0001
- Subject:
- Classical Studies, Prose and Writers: Classical, Early, and Medieval
Changing Names investigates, in relation to the ancient Greek world, the ways in which preferences in personal name-giving change: through shifts in population, cultural contact and imperialism, the ...
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Changing Names investigates, in relation to the ancient Greek world, the ways in which preferences in personal name-giving change: through shifts in population, cultural contact and imperialism, the popularity of new gods, celebrity status of individuals, increased openness to external influence, and shifts in local fashion. Several major kinds of change due to cultural contact occurred: Greek names spread in regions outside Greece that were subject to Greek cultural influence (and later conquest), while conversely the Roman conquest of the Greek world led to various degrees of adoption of the Roman naming system; late in antiquity, Christianisation led to a profound but rather gradual transformation of the name stock. Individuals in culturally mixed societies sometimes bore two names, one for public or official use, one more domestic; but women of non-Greek origin were more likely to stick with indigenous names. 'Structural' changes (such as the emergence of the English surname) did not occur, though in late antiquity an indication of profession tended to replace the father's name as a secondary identifier; in some regions 'second' names became popular, perhaps in imitation of the longer Roman naming formulae. The volume is arranged partly thematically, partly through regional case studies (from within and beyond old Greece). Individuals who change their names (typically slaves after manumission) are also considered, as is the possibility that a name might change its 'meaning'.Less
Changing Names investigates, in relation to the ancient Greek world, the ways in which preferences in personal name-giving change: through shifts in population, cultural contact and imperialism, the popularity of new gods, celebrity status of individuals, increased openness to external influence, and shifts in local fashion. Several major kinds of change due to cultural contact occurred: Greek names spread in regions outside Greece that were subject to Greek cultural influence (and later conquest), while conversely the Roman conquest of the Greek world led to various degrees of adoption of the Roman naming system; late in antiquity, Christianisation led to a profound but rather gradual transformation of the name stock. Individuals in culturally mixed societies sometimes bore two names, one for public or official use, one more domestic; but women of non-Greek origin were more likely to stick with indigenous names. 'Structural' changes (such as the emergence of the English surname) did not occur, though in late antiquity an indication of profession tended to replace the father's name as a secondary identifier; in some regions 'second' names became popular, perhaps in imitation of the longer Roman naming formulae. The volume is arranged partly thematically, partly through regional case studies (from within and beyond old Greece). Individuals who change their names (typically slaves after manumission) are also considered, as is the possibility that a name might change its 'meaning'.
Carol O'Sullivan and Jean-François Cornu (eds)
- Published in print:
- 2019
- Published Online:
- September 2019
- ISBN:
- 9780197266434
- eISBN:
- 9780191884191
- Item type:
- book
- Publisher:
- British Academy
- DOI:
- 10.5871/bacad/9780197266434.001.0001
- Subject:
- Film, Television and Radio, Film
This rich collection of essays by film historians, translation scholars, archivists, and curators presents film translation history as an exciting and timely area of research. It builds on the last ...
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This rich collection of essays by film historians, translation scholars, archivists, and curators presents film translation history as an exciting and timely area of research. It builds on the last 20 years of research into the history of dubbing and subtitling, but goes further, by showing how subtitling, dubbing, and other forms of audiovisual translation developed over the first 50 years of the 20th century.
This is the first book-length study, in any language, of the international history of audiovisual translation to include silent cinema. Its scope covers national contexts both within Europe and beyond. It shows how audiovisual translation practices were closely tied to their commercial, technological, and industrial contexts. The Translation of Films, 1900–1950 draws extensively on archival sources and expertise, and revisits and challenges some of the established narratives around film languages and the coming of sound. For instance, the volume shows how silent films, far from being straightforward to translate, went through a complex process of editing for international distribution. It also closely tracks the ferment of experiments in film translation during the transition to sound from 1927 to 1934 and later, as markets adjusted to the demands of synchronised film.
The Translation of Films, 1900–1950 argues for a broader understanding of film translation: far from being limited to language transfer, it encompasses editing, localisation, censorship, paratextual framing, and other factors. It advocates for film translation to be considered as a crucial contribution not only to the worldwide circulation of films, but also to the art of cinema.Less
This rich collection of essays by film historians, translation scholars, archivists, and curators presents film translation history as an exciting and timely area of research. It builds on the last 20 years of research into the history of dubbing and subtitling, but goes further, by showing how subtitling, dubbing, and other forms of audiovisual translation developed over the first 50 years of the 20th century.
This is the first book-length study, in any language, of the international history of audiovisual translation to include silent cinema. Its scope covers national contexts both within Europe and beyond. It shows how audiovisual translation practices were closely tied to their commercial, technological, and industrial contexts. The Translation of Films, 1900–1950 draws extensively on archival sources and expertise, and revisits and challenges some of the established narratives around film languages and the coming of sound. For instance, the volume shows how silent films, far from being straightforward to translate, went through a complex process of editing for international distribution. It also closely tracks the ferment of experiments in film translation during the transition to sound from 1927 to 1934 and later, as markets adjusted to the demands of synchronised film.
The Translation of Films, 1900–1950 argues for a broader understanding of film translation: far from being limited to language transfer, it encompasses editing, localisation, censorship, paratextual framing, and other factors. It advocates for film translation to be considered as a crucial contribution not only to the worldwide circulation of films, but also to the art of cinema.
Jane E. Everson, Andrew Hiscock, and Stefano Jossa (eds)
- Published in print:
- 2019
- Published Online:
- September 2019
- ISBN:
- 9780197266502
- eISBN:
- 9780191884221
- Item type:
- book
- Publisher:
- British Academy
- DOI:
- 10.5871/bacad/9780197266502.001.0001
- Subject:
- Classical Studies, Poetry and Poets: Classical, Early, and Medieval
The volume assesses the changing impact on English culture over 500 years of Ariosto’s poem, the Orlando Furioso, first published in Italy in 1516, and subsequently in an expanded version in 1532. ...
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The volume assesses the changing impact on English culture over 500 years of Ariosto’s poem, the Orlando Furioso, first published in Italy in 1516, and subsequently in an expanded version in 1532. Individual chapters address the recurring presence of Ariosto’s poem in English literature, but also the multimedial nature of the transmission of the Furioso into English culture: through the visual arts, theatre, music and spectacle to video games and the internet, as well as through often heated critical debates. The introduction provides an overview of the history of criticism and interpretation of the Furioso in England. Within the four main sections – entitled: Before reading – the image; From the Elizabethans to the Enlightenment; Gothic and Romantic Ariosto; Text and translation in the modern era – individual studies explore key moments in the reception of the poem into English culture: the adaptation and translation of the poem among the Elizabethans; Milton’s detailed appreciation of the work; and the ambivalent attitudes of eighteenth-century writers and critics; the influence of illustrations to the poem; and its transformation into opera for the English stage. Emphasis is also placed on: the dynamic responses of Romantic writers to Ariosto; the crucial work of editors and translators in the nineteenth and twentieth centuries; and the stimulating adaptations and rewritings by modern authors. The volume concludes with a comprehensive bibliography.Less
The volume assesses the changing impact on English culture over 500 years of Ariosto’s poem, the Orlando Furioso, first published in Italy in 1516, and subsequently in an expanded version in 1532. Individual chapters address the recurring presence of Ariosto’s poem in English literature, but also the multimedial nature of the transmission of the Furioso into English culture: through the visual arts, theatre, music and spectacle to video games and the internet, as well as through often heated critical debates. The introduction provides an overview of the history of criticism and interpretation of the Furioso in England. Within the four main sections – entitled: Before reading – the image; From the Elizabethans to the Enlightenment; Gothic and Romantic Ariosto; Text and translation in the modern era – individual studies explore key moments in the reception of the poem into English culture: the adaptation and translation of the poem among the Elizabethans; Milton’s detailed appreciation of the work; and the ambivalent attitudes of eighteenth-century writers and critics; the influence of illustrations to the poem; and its transformation into opera for the English stage. Emphasis is also placed on: the dynamic responses of Romantic writers to Ariosto; the crucial work of editors and translators in the nineteenth and twentieth centuries; and the stimulating adaptations and rewritings by modern authors. The volume concludes with a comprehensive bibliography.
Edith Hall (ed.)
- Published in print:
- 2019
- Published Online:
- September 2019
- ISBN:
- 9780197266519
- eISBN:
- 9780191884238
- Item type:
- book
- Publisher:
- British Academy
- DOI:
- 10.5871/bacad/9780197266519.001.0001
- Subject:
- Literature, Poetry
This volume of essays arose from a conference which marked the 80th birthday of prizewinning British poet Tony Harrison on 30 April 2017 and with his agreement constitutes his ‘official’ Festschrift. ...
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This volume of essays arose from a conference which marked the 80th birthday of prizewinning British poet Tony Harrison on 30 April 2017 and with his agreement constitutes his ‘official’ Festschrift. The contributors include practising poets, playwrights, specialists in Classics, Theatre, Translation Studies, English and World Literature, and professionals in media (radio, newspapers, TV and film) where Harrison’s extensive work has been least researched. The aim of the volume is to open up new approaches to the understanding of the work of one of our most important poets.
Although it is indeed intended to provide the substantial and sufficiently comprehensive contribution to Harrison scholarship that his official eight-decades-alive merit, and the Editor’s Introduction to the volume is sensitive to the needs of the reader in terms of bibliographical signposts, the four sections focus primarily on areas that have been hitherto little explored: (1) his more recent poems; (2) the continuation of his relationship with ancient theatre after the landmark Oresteia and Trackers of the 1980–1990 decade, his evolving dramatic relationship with Euripides, and with French authors (Hugo, Molière, Racine); (3) the international angle. This entails both the profound contribution made to his work by his periods of residence abroad, in Africa, North America, Moscow and Prague, and his popularity in French and Italian translation (both European translators have agreed to speak); (4) his extensive body of poems (about which almost nothing has been published) written specifically for delivery in the media of film, television and radio.Less
This volume of essays arose from a conference which marked the 80th birthday of prizewinning British poet Tony Harrison on 30 April 2017 and with his agreement constitutes his ‘official’ Festschrift. The contributors include practising poets, playwrights, specialists in Classics, Theatre, Translation Studies, English and World Literature, and professionals in media (radio, newspapers, TV and film) where Harrison’s extensive work has been least researched. The aim of the volume is to open up new approaches to the understanding of the work of one of our most important poets.
Although it is indeed intended to provide the substantial and sufficiently comprehensive contribution to Harrison scholarship that his official eight-decades-alive merit, and the Editor’s Introduction to the volume is sensitive to the needs of the reader in terms of bibliographical signposts, the four sections focus primarily on areas that have been hitherto little explored: (1) his more recent poems; (2) the continuation of his relationship with ancient theatre after the landmark Oresteia and Trackers of the 1980–1990 decade, his evolving dramatic relationship with Euripides, and with French authors (Hugo, Molière, Racine); (3) the international angle. This entails both the profound contribution made to his work by his periods of residence abroad, in Africa, North America, Moscow and Prague, and his popularity in French and Italian translation (both European translators have agreed to speak); (4) his extensive body of poems (about which almost nothing has been published) written specifically for delivery in the media of film, television and radio.
Genevieve LeBaron (ed.)
- Published in print:
- 2018
- Published Online:
- September 2019
- ISBN:
- 9780197266472
- eISBN:
- 9780191884214
- Item type:
- book
- Publisher:
- British Academy
- DOI:
- 10.5871/bacad/9780197266472.001.0001
- Subject:
- Business and Management, Political Economy
By most accounts, forced labour, human trafficking, and modern slavery are thriving in the global economy. Recent media reports — including the discovery of widespread trafficking in Thailand's ...
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By most accounts, forced labour, human trafficking, and modern slavery are thriving in the global economy. Recent media reports — including the discovery of widespread trafficking in Thailand's shrimp industry, forced labour in global tea and cocoa supply chains, and the devastating deaths of workers constructing stadiums for Qatar's World Cup— have brought once hidden exploitation into the mainstream spotlight. As public concern about forced labour has escalated, governments around the world have begun to enact legislation to combat it in global production. Yet, in spite of soaring media and policy attention, reliable research on the business of forced labour remains difficult to come by. Forced labour is notoriously challenging to investigate, given that it is illegal, and powerful corporations and governments are reluctant to grant academics access to their workers and supply chains. Given the risk associated with researching the business of forced labour, until very recently, few scholars even attempted to collect hard or systematic data. Instead, academics have often had little choice but to rely on poor quality second-hand data, frequently generated by activists and businesses with vested interests in portraying the problem in a certain light. As a result, the evidence base on contemporary forced labour is both dangerously thin and riddled with bias. Researching Forced Labour in the Global Economy gathers an interdisciplinary group of leading scholars to tackle this problem. It provides the first, comprehensive scholarly account of forced labour's role in the contemporary global economy and reflections on the methodologies used to generate this research.Less
By most accounts, forced labour, human trafficking, and modern slavery are thriving in the global economy. Recent media reports — including the discovery of widespread trafficking in Thailand's shrimp industry, forced labour in global tea and cocoa supply chains, and the devastating deaths of workers constructing stadiums for Qatar's World Cup— have brought once hidden exploitation into the mainstream spotlight. As public concern about forced labour has escalated, governments around the world have begun to enact legislation to combat it in global production. Yet, in spite of soaring media and policy attention, reliable research on the business of forced labour remains difficult to come by. Forced labour is notoriously challenging to investigate, given that it is illegal, and powerful corporations and governments are reluctant to grant academics access to their workers and supply chains. Given the risk associated with researching the business of forced labour, until very recently, few scholars even attempted to collect hard or systematic data. Instead, academics have often had little choice but to rely on poor quality second-hand data, frequently generated by activists and businesses with vested interests in portraying the problem in a certain light. As a result, the evidence base on contemporary forced labour is both dangerously thin and riddled with bias. Researching Forced Labour in the Global Economy gathers an interdisciplinary group of leading scholars to tackle this problem. It provides the first, comprehensive scholarly account of forced labour's role in the contemporary global economy and reflections on the methodologies used to generate this research.
Kay Prag
- Published in print:
- 2018
- Published Online:
- September 2019
- ISBN:
- 9780197266427
- eISBN:
- 9780191884252
- Item type:
- book
- Publisher:
- British Academy
- DOI:
- 10.5871/bacad/9780197266427.001.0001
- Subject:
- Archaeology, Historical Archaeology
Re-excavating Jerusalem: Archival Archaeology is concerned with the archaeology and history of Jerusalem. It is a story of ongoing crises, of adaptations, inheritance and cultural transmission over ...
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Re-excavating Jerusalem: Archival Archaeology is concerned with the archaeology and history of Jerusalem. It is a story of ongoing crises, of adaptations, inheritance and cultural transmission over many centuries under successive rulers, where each generation owed a cultural debt to its predecessors, from the Bronze Age to the modern world. It is not a summary history of occupation over four millennia, but rather a reflection of events as revealed in a major programme of archaeological excavation conducted by Dame Kathleen Kenyon in the 1960s, which is still in process of publication. The excavation archive has an ongoing relevance, even though knowledge of the city and its inhabitants has increased over the decades since then, revealing fresh insights to set against contemporary work. The preservation of such archives has great importance for future historians. Among topics addressed are the nature of a dispersed settlement pattern in the 2nd millennium BC; a fresh look at the vexed problems of the biblical accounts of the work of David and Solomon and the development of the city in the 10th and 9th centuries BC; the nature of the fortifications of the town re-established by Nehemiah in the 5th century BC; some evidence of the Roman occupation following the almost total destruction of the city in AD 70; and an exploration within the Islamic city during the 12th to 15th centuries. The latter illustrates the endless interest in Jerusalem shown by the outside world.Less
Re-excavating Jerusalem: Archival Archaeology is concerned with the archaeology and history of Jerusalem. It is a story of ongoing crises, of adaptations, inheritance and cultural transmission over many centuries under successive rulers, where each generation owed a cultural debt to its predecessors, from the Bronze Age to the modern world. It is not a summary history of occupation over four millennia, but rather a reflection of events as revealed in a major programme of archaeological excavation conducted by Dame Kathleen Kenyon in the 1960s, which is still in process of publication. The excavation archive has an ongoing relevance, even though knowledge of the city and its inhabitants has increased over the decades since then, revealing fresh insights to set against contemporary work. The preservation of such archives has great importance for future historians. Among topics addressed are the nature of a dispersed settlement pattern in the 2nd millennium BC; a fresh look at the vexed problems of the biblical accounts of the work of David and Solomon and the development of the city in the 10th and 9th centuries BC; the nature of the fortifications of the town re-established by Nehemiah in the 5th century BC; some evidence of the Roman occupation following the almost total destruction of the city in AD 70; and an exploration within the Islamic city during the 12th to 15th centuries. The latter illustrates the endless interest in Jerusalem shown by the outside world.
Fiona Macpherson (ed.)
- Published in print:
- 2018
- Published Online:
- September 2019
- ISBN:
- 9780197266441
- eISBN:
- 9780191884207
- Item type:
- book
- Publisher:
- British Academy
- DOI:
- 10.5871/bacad/9780197266441.001.0001
- Subject:
- Philosophy, Philosophy of Mind
Sensory substitution and augmentation devices are built to try to replace or enhance one sense by using another sense. For example, in tactile–vision, stimulation of the skin driven by input to a ...
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Sensory substitution and augmentation devices are built to try to replace or enhance one sense by using another sense. For example, in tactile–vision, stimulation of the skin driven by input to a camera is used to replace the ordinary sense of vision that uses our eyes. The feelSpace belt aims to give people a magnetic sense of direction using vibrotactile stimulation driven by a digital compass. This volume brings together researchers—neuroscientists, psychologists and philosophers—who are developing these technologies, studying the minds and behaviour of subjects who use them. There is a particular focus on the nature of the perceptual experiences, the sensory interactions, and the changes that take place in the mind and brain over time that occur while using and training to use these technologies. Essays address the nature, limits and possibilities of sensory substitution and augmentation, how they might be used to help those with sensory impairments, and what they can tell us about perception and perceptual experience in general.Less
Sensory substitution and augmentation devices are built to try to replace or enhance one sense by using another sense. For example, in tactile–vision, stimulation of the skin driven by input to a camera is used to replace the ordinary sense of vision that uses our eyes. The feelSpace belt aims to give people a magnetic sense of direction using vibrotactile stimulation driven by a digital compass. This volume brings together researchers—neuroscientists, psychologists and philosophers—who are developing these technologies, studying the minds and behaviour of subjects who use them. There is a particular focus on the nature of the perceptual experiences, the sensory interactions, and the changes that take place in the mind and brain over time that occur while using and training to use these technologies. Essays address the nature, limits and possibilities of sensory substitution and augmentation, how they might be used to help those with sensory impairments, and what they can tell us about perception and perceptual experience in general.
Early Farmers
Endangered Languages
Unequal Attainments
When the Party’s Over
The Articulation of Power in Medieval Iberia and the Maghrib
