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The book, derived from the Balzan musicology project ‘Towards a global history of music’, describes cultural traditions and communication patterns of music, dance and theatre in the world region between India and the Mediterranean in the last 2000 years. The new metaphor of the ‘Music Road’—the western half of the ‘Silk Road’—refers to the travels of musical songs, instruments and ideas across both space and time. The book has an introduction and 16 chapters, each by a different author. Highlighted are the following cultural traditions: ancient Gandhāra (first centuries ce); traditions of the Alexander legend; the musical philosophy and practice of Muslim societies; colonial India and the West; Greek music and nationalism (19th–20th centuries); travelling music-theatre companies in the Eastern Mediterranean; the ‘Gypsy rhapsody’ in European art music. The keynote chapter by Martin Stokes reviews the work of Villoteau and Lachmann, advocating a fusion of historical thought and ethnomusicology. The book offers case studies not only on music per se, but also on fine art, dance, musical theatre, on the theology, philosophy, historiography and literature of music, and on East–West relations in the musical practice of colonial and modern times. It is argued in the introduction and implied elsewhere that the musical culture of this world region, and its interactions with the West, have always been on the move, that its diversities and disruptions are counterbalanced by numerous internal and external linkages, and that the reifying term of ‘orientalism’ might be replaced by ‘the East–West imagination’.

Convent Autobiography explores the ways in which cloistered women articulated their senses of self through genres such as letters, chronicles, accounts, guidance and devotional manuals, and conversion narratives. The book explores writings by early modern English women who elected a double self-exile from home and ‘from the world’, undertakings that shaped and informed so much of their self-writing. These nuns sometimes composed under their own names, but many composed anonymously. Using a combination of close reading, palaeography, manuscript evidence and other data, this book reveals the identities of half a dozen women, including descendants of Sir Thomas More, whose contributions to English literature and history were hitherto unknown. Although anonymous composition was in keeping with monastic norms of humility, Convent Autobiography argues anonymity offered paradoxical freedoms, such as enabling an author to write extensively about her own family, and herself, or to present institutional narratives through the lens of her own experiences. Three case studies devoted to anonymous chronicling reveal the complexity of authorial strategies of self and communal representation. On the basis of these, two new genres of autobiography are proposed: anonymous and subsumed autobiography. These definitions have wider application beyond convent and early modern literature. The book includes a complete edition of the vibrant conversion narrative, lists, and prayers of Catherine Holland, who defied her Protestant father by running away to join the convent of Nazareth where she could practise Catholicism and ‘escape the slavery of marriage’.

Changing Names investigates, in relation to the ancient Greek world, the ways in which preferences in personal name-giving change: through shifts in population, cultural contact and imperialism, the popularity of new gods, celebrity status of individuals, increased openness to external influence, and shifts in local fashion. Several major kinds of change due to cultural contact occurred: Greek names spread in regions outside Greece that were subject to Greek cultural influence (and later conquest), while conversely the Roman conquest of the Greek world led to various degrees of adoption of the Roman naming system; late in antiquity, Christianisation led to a profound but rather gradual transformation of the name stock. Individuals in culturally mixed societies sometimes bore two names, one for public or official use, one more domestic; but women of non-Greek origin were more likely to stick with indigenous names. 'Structural' changes (such as the emergence of the English surname) did not occur, though in late antiquity an indication of profession tended to replace the father's name as a secondary identifier; in some regions 'second' names became popular, perhaps in imitation of the longer Roman naming formulae. The volume is arranged partly thematically, partly through regional case studies (from within and beyond old Greece). Individuals who change their names (typically slaves after manumission) are also considered, as is the possibility that a name might change its 'meaning'.

This rich collection of essays by film historians, translation scholars, archivists, and curators presents film translation history as an exciting and timely area of research. It builds on the last 20 years of research into the history of dubbing and subtitling, but goes further, by showing how subtitling, dubbing, and other forms of audiovisual translation developed over the first 50 years of the 20th century. This is the first book-length study, in any language, of the international history of audiovisual translation to include silent cinema. Its scope covers national contexts both within Europe and beyond. It shows how audiovisual translation practices were closely tied to their commercial, technological, and industrial contexts. The Translation of Films, 1900–1950 draws extensively on archival sources and expertise, and revisits and challenges some of the established narratives around film languages and the coming of sound. For instance, the volume shows how silent films, far from being straightforward to translate, went through a complex process of editing for international distribution. It also closely tracks the ferment of experiments in film translation during the transition to sound from 1927 to 1934 and later, as markets adjusted to the demands of synchronised film. The Translation of Films, 1900–1950 argues for a broader understanding of film translation: far from being limited to language transfer, it encompasses editing, localisation, censorship, paratextual framing, and other factors. It advocates for film translation to be considered as a crucial contribution not only to the worldwide circulation of films, but also to the art of cinema.

The volume assesses the changing impact on English culture over 500 years of Ariosto’s poem, the Orlando Furioso, first published in Italy in 1516, and subsequently in an expanded version in 1532. Individual chapters address the recurring presence of Ariosto’s poem in English literature, but also the multimedial nature of the transmission of the Furioso into English culture: through the visual arts, theatre, music and spectacle to video games and the internet, as well as through often heated critical debates. The introduction provides an overview of the history of criticism and interpretation of the Furioso in England. Within the four main sections – entitled: Before reading – the image; From the Elizabethans to the Enlightenment; Gothic and Romantic Ariosto; Text and translation in the modern era – individual studies explore key moments in the reception of the poem into English culture: the adaptation and translation of the poem among the Elizabethans; Milton’s detailed appreciation of the work; and the ambivalent attitudes of eighteenth-century writers and critics; the influence of illustrations to the poem; and its transformation into opera for the English stage. Emphasis is also placed on: the dynamic responses of Romantic writers to Ariosto; the crucial work of editors and translators in the nineteenth and twentieth centuries; and the stimulating adaptations and rewritings by modern authors. The volume concludes with a comprehensive bibliography.

This volume of essays arose from a conference which marked the 80th birthday of prizewinning British poet Tony Harrison on 30 April 2017 and with his agreement constitutes his ‘official’ Festschrift. The contributors include practising poets, playwrights, specialists in Classics, Theatre, Translation Studies, English and World Literature, and professionals in media (radio, newspapers, TV and film) where Harrison’s extensive work has been least researched. The aim of the volume is to open up new approaches to the understanding of the work of one of our most important poets. Although it is indeed intended to provide the substantial and sufficiently comprehensive contribution to Harrison scholarship that his official eight-decades-alive merit, and the Editor’s Introduction to the volume is sensitive to the needs of the reader in terms of bibliographical signposts, the four sections focus primarily on areas that have been hitherto little explored: (1) his more recent poems; (2) the continuation of his relationship with ancient theatre after the landmark Oresteia and Trackers of the 1980–1990 decade, his evolving dramatic relationship with Euripides, and with French authors (Hugo, Molière, Racine); (3) the international angle. This entails both the profound contribution made to his work by his periods of residence abroad, in Africa, North America, Moscow and Prague, and his popularity in French and Italian translation (both European translators have agreed to speak); (4) his extensive body of poems (about which almost nothing has been published) written specifically for delivery in the media of film, television and radio.

By most accounts, forced labour, human trafficking, and modern slavery are thriving in the global economy. Recent media reports — including the discovery of widespread trafficking in Thailand's shrimp industry, forced labour in global tea and cocoa supply chains, and the devastating deaths of workers constructing stadiums for Qatar's World Cup— have brought once hidden exploitation into the mainstream spotlight. As public concern about forced labour has escalated, governments around the world have begun to enact legislation to combat it in global production. Yet, in spite of soaring media and policy attention, reliable research on the business of forced labour remains difficult to come by. Forced labour is notoriously challenging to investigate, given that it is illegal, and powerful corporations and governments are reluctant to grant academics access to their workers and supply chains. Given the risk associated with researching the business of forced labour, until very recently, few scholars even attempted to collect hard or systematic data. Instead, academics have often had little choice but to rely on poor quality second-hand data, frequently generated by activists and businesses with vested interests in portraying the problem in a certain light. As a result, the evidence base on contemporary forced labour is both dangerously thin and riddled with bias. Researching Forced Labour in the Global Economy gathers an interdisciplinary group of leading scholars to tackle this problem. It provides the first, comprehensive scholarly account of forced labour's role in the contemporary global economy and reflections on the methodologies used to generate this research.

Re-excavating Jerusalem: Archival Archaeology is concerned with the archaeology and history of Jerusalem. It is a story of ongoing crises, of adaptations, inheritance and cultural transmission over many centuries under successive rulers, where each generation owed a cultural debt to its predecessors, from the Bronze Age to the modern world. It is not a summary history of occupation over four millennia, but rather a reflection of events as revealed in a major programme of archaeological excavation conducted by Dame Kathleen Kenyon in the 1960s, which is still in process of publication. The excavation archive has an ongoing relevance, even though knowledge of the city and its inhabitants has increased over the decades since then, revealing fresh insights to set against contemporary work. The preservation of such archives has great importance for future historians. Among topics addressed are the nature of a dispersed settlement pattern in the 2nd millennium BC; a fresh look at the vexed problems of the biblical accounts of the work of David and Solomon and the development of the city in the 10th and 9th centuries BC; the nature of the fortifications of the town re-established by Nehemiah in the 5th century BC; some evidence of the Roman occupation following the almost total destruction of the city in AD 70; and an exploration within the Islamic city during the 12th to 15th centuries. The latter illustrates the endless interest in Jerusalem shown by the outside world.

Sensory substitution and augmentation devices are built to try to replace or enhance one sense by using another sense. For example, in tactile–vision, stimulation of the skin driven by input to a camera is used to replace the ordinary sense of vision that uses our eyes. The feelSpace belt aims to give people a magnetic sense of direction using vibrotactile stimulation driven by a digital compass. This volume brings together researchers—neuroscientists, psychologists and philosophers—who are developing these technologies, studying the minds and behaviour of subjects who use them. There is a particular focus on the nature of the perceptual experiences, the sensory interactions, and the changes that take place in the mind and brain over time that occur while using and training to use these technologies. Essays address the nature, limits and possibilities of sensory substitution and augmentation, how they might be used to help those with sensory impairments, and what they can tell us about perception and perceptual experience in general.

England is ruled directly from Westminster by institutions and parties that are both English and British. The non-recognition of England reflects a long-standing assumption of ‘unionist statecraft’ that to draw a distinction between what is English and what is British risks destabilising the union state. The book examines evidence that this conflation of England and Britain is growing harder to sustain in view of increasing political divergence between the nations of the UK and the awakening of English national identity. These trends were reflected in the 2016 vote to leave the European Union, driven predominantly by English voters (outside London). Brexit was motivated in part by a desire to restore the primacy of the Westminster Parliament, but there are countervailing pressures for England to gain its own representative institutions and for devolution to England’s cities and regions. The book presents competing interpretations of the state of English nationhood, examining the views that little of significance has changed, that Englishness has been captured by populist nationalism, and that a more progressive, inclusive Englishness is struggling to emerge. We conclude that England’s national consciousness remains fragmented due to deep cleavages in its political culture and the absence of a reflective national conversation about England’s identity and relationship with the rest of the UK and the wider world. Brexit was a (largely) English revolt, tapping into unease about England’s place within two intersecting Unions (British and European), but it is easier to identify what the nation spoke against than what it voted for.

Studies of the fate of Judiciaries in post-Communist Central and Eastern Europe (CEE) have been rare and attempts at causal explanation rarer. This study found that interlocked transnational networking empowered a minority of elite Judiciary revisionists to entrench their institutional template in Eastern European constitutions, setting these transitional democracies on a trajectory toward a global trend of the judicialization of politics. The first, crucial step in that process is traced: the formal disempowerment of democracy through Judiciary revisions that ordinary people and politicians in Central and Eastern Europe little heeded. The causal nexus converging on this outcome is explained. Why it matters is because the revisionist template reorients that most venerable of non-majoritarian institutions beyond adjudication of the guilt or innocence of subjects of state power under legal certainty – the classical role of modern courts – toward the improvisation of public policy, with or without the consent of the majority of the governed, by ‘finding’ it in constitutions; the unique legitimacy of which derives from the prior ratification of a supermajority. The question of who shall have the final disposition of contested constitutional meaning – the Executive, Legislature, Judiciary, the People, or All of these – implicates sovereignty itself and whom it shall rest on: the last word is sovereign for practical purposes. The interdisciplinarity of this study will appeal to a wide audience: scholars of law and politics and socio-legal studies, social scientists researching elite transnationalism and European integration beyond the EU, even institutional design practitioners.

Growing up in Diverse Societies provides a comprehensive analysis of the integration of the children of immigrants in England, Germany, the Netherlands, and Sweden, based on the ‘Children of immigrants longitudinal survey in four European countries’ (CILS4EU), including harmonised interviews with almost 19,000 14- to 15-year-olds. The book studies the life situation, social relations, and attitudes of adolescents in different ethnic minority groups, and compares these systematically to majority youth in the four countries. The chapters cover a wide range of aspects of integration, all addressing comparisons between origin groups, generations, and destination countries, and elucidating processes accounting for differences. The results challenge much current thinking and simplified views on the state of integration. In some aspects, such as own economic means, delinquency, and mental health, children of immigrants are surprisingly similar to majority youth, while in other aspects there are large dissimilarities. There are also substantial differences between ethnic minority groups, with the economic and cultural distance of the origin regions to the destination country being a key factor. For some outcomes, such as language proficiency or host country identification, dissimilarities seem to narrow over generations, but this does not hold for other outcomes, such as religiosity and attitudes. Remaining differences partly depend on ethnic segregation, some on socioeconomic inequality, and others on parental influences. Most interestingly, the book finds that the four destination countries, though different in their immigration histories, policy approaches, and contextual conditions, are on the whole similar in the general patterns of integration and in the underlying processes.

‘Communal’ property is an important mechanism for allocating natural resources and regulating their use – whether for economic exploitation, recreational use or the promotion of biodiversity and nature conservation. The form which communal property regimes take, however, and their relationship to private property structures, varies from jurisdiction to jurisdiction and is poorly understood. Nevertheless, the importance of communal property, transcending the public/private divide in property rights, is increasingly apparent globally. Contributions to this volume focus on legal strategies for the development and protection of communal property and how these strategies ‘map’ over different jurisdictions (England and Wales, Scotland, South Africa, Cameroon, Italy, Israel and China) and jurisprudential approaches. They look at property beyond the traditional, individualist, and exclusive ownership model, engaging with communal property ‘practices’ in different jurisdictions to explore the theoretical grounding of communal property, not only linking theory with practice but also linking the local with the global.

Pelagius is the first known British author, important because of his persuasive advocacy of two ideas: that human nature was inclined to goodness, and that man had free will. After a campaign to vilify him, he was excommunicated in AD 418 for allegedly inventing a new heresy, and his name was made synonymous with arrogance. This book shows that Pelagius defended the contemporary ascetic account of Christianity and that, far from being the leader of a separatist group, he was one of many propagandists for the ascetic movement which swept through Christianity at this time and generated medieval monasticism. Textual analysis proves that Pelagius did not teach the ideas attributed to him or propose anything new. It is impossible to differentiate between Pelagius’ writings and other ascetic literature, and there was no separate group of ‘Pelagians’. This book also examines how and why the myth was created, setting this process in its historical context and in the context of scholarship on the function of heresy in religion and sociological analysis of the creation of deviance. Finally, manuscript evidence supports the argument that ‘Pelagianism’ was a deliberately created myth. Travelling under false attributions, Pelagius’ writings were staples of monastic book collections because they contained the same ideas as other texts promoting the ascetic version of Christianity. In the fourteenth century, when Christians once more sought a confident anthropology, it was Pelagius’ works to which they turned. This book presents a paradigm shift in our understanding of the history of Christianity in the West.

Since the rise of analytical philosophy, the relation of philosophy and its past is more hotly debated among philosophers than ever. Some scholars analyse historical texts without reference to current debates and their terminology, while others pursue first-order philosophy by focusing on problems instead of doxography—that is, without reference to their predecessors. A growing group, though, doubts that philosophy can be studied effectively on the basis of this sharp division. But does the study of the history of philosophy contribute to current philosophy? And, if it does, what precisely is the contribution? Does making such a contribution depend on using a specific method which determines how the historical perspective is related to systematic philosophy and philosophy in general? More generally, how do our assumptions about the relationship between historical and systematic perspectives affect our methodology and metaphilosophy or philosophy of philosophy? This volume presents and debates answers to these questions, which deserve to be addressed in their own right and not just as an adjunct to other discussions. The contributors of this volume provide diverse answers based on historical references, stretching from ancient philosophy to the most current debates, and also refer to various philosophical sub-disciplines.

This volume investigates the relationship between archives and information in the early modern world. It explores how the physical documentation that proliferated on an unprecedented scale between the 16th and 18th centuries was managed in the context of wider innovations in the sphere of communication and of significant upheaval and change. The chapters assess how archives were implicated in patterns of statecraft and scrutinise critical issues of secrecy and publicity, access and concealment. They analyse the interconnections between documentation and geographical distance, probing the part played by record-keeping in administration, governance, and justice, as well as its links with trade, commerce, education, evangelism, and piety. Alive to how the contents of archives were organised and filed, the contributors place paper technologies and physical repositories under the microscope. Extending beyond the framework of formal institutions to the family, household, and sect, this volume offers fresh insight into the possibilities and constraints of political participation and the nature of human agency. It deepens our understanding of the role of archives in the construction and preservation of knowledge and the exercise of power in its broadest sense. Above all, it calls for greater dialogue and creative collaboration to breach the lingering disciplinary divide between historians and archival scientists.

Fighting for France is the first book to examine the violent confrontations between political groups in interwar France. A range of groups at the political extremes employed physical aggression against their enemies and threatened to bring about the violent demise of the democratic regime. The scale of confrontations ranged from encounters between individuals to large clashes involving hundreds of activists. Until now, historians have denied and downplayed the frequency and seriousness of French political violence in favour of an interpretation that emphasises France's weddedness to democracy. Fighting for France demonstrates that the democratic culture of the late Third Republic co-existed with a culture of violence in which the physical punishment of rivals and opponents was considered acceptable. Drawing on the narratives constructed around outbreaks of violence, the book reconstructs the lived experience of fighting and the sense that contemporaries made of conflict. It examines violence in a variety of settings, from the street to the factory floor. A range of actors come under investigation, including fascists, communists, and the police. Fighting for France forces us to reconsider the place of political violence in a democratic society. It transforms our understandings of the course of interwar France and Europe.

Literary and cultural-historical debate about the First World War has focused on whether the conflict inaugurated a new modernity (in Paul Fussell’s terms, a specifically ironic consciousness) or whether it revealed deep continuities, particularly in the area of memorialization. The debate can productively be widened by expanding the scope of critical attention to include, not only English trench poetry, but also the creative production of women, non-combatants, civilians, and writers and artists from Europe and the then British Empire. This enlarged canon, which in this book ranges from the British combatant poets Wilfred Owen and David Jones to the writers and nurses Mary Borden and Enid Bagnold, the civilian novelists H. G. Wells and Virginia Woolf, and the international authors Robert Service, Berta Lask, Claire Studer Goll, Ricarda Huch, Gertrud Kolmar, Anna Akhmatova and Rabindranath Tagore, enables us to rethink the very meanings of terms such as ‘modernity’ and ‘modernism’. Literature itself is illuminated through juxtaposition with film, photography and fine art. Three areas in particular reveal the ways in which literature, culture and the war coalesce in a putative modernity: the unfathomable, intensity and ‘cosmopolitanism’. These emerge via investigation of issues such as shellshock, sacrifice, death, aerial bombing, resistance, empire and race.

The focus of the book is on the seven rounds of parliamentary elections that have taken place in Russia since 1993. After the chaos that followed the collapse of the USSR, a new Russian political system has been forged in the early twenty-first century that has consolidated around high support levels for its president, Vladimir Putin. Russia’s legislature – the Federal Assembly, including the State Duma – forms an integral part of the machinery of governance. Successive changes to the electoral and party systems have moved the country from the chaos of early post-Soviet years toward a stable executive-dominated system propped up by a four-party ‘cartel’ – dominated by the pro-Kremlin United Russia party – in the legislative sphere. A common perception has grown that Russian elections are predictable, controlled and pointless to examine in a comparative context. But real voters cast real ballots, and this book is the story of how the electoral system has evolved, how the campaigning strategies of the political parties have developed, and how the voting behaviour of Russians has changed across the first quarter-century of Russian independence. The most comprehensive long-term study to date of Russian elections, it utilises a combination of official data, new primary material and in-depth analysis to assess the electoral arena of the Russian Federation from the end of the Soviet Union to the start of Putin’s fourth term.

The radio programme Desert Island Discs has run almost continuously since 1942, and represents a unique record of the changing place of music in British society. In 2011, recognising its iconic status, the BBC created an online archive that includes podcasts of all programmes from 1976 on, and many from earlier years. Based on this and extensive documentary evidence, Defining the Discographic Self: ‘Desert Island Discs’ in Context for the first time brings together musicologists, sociologists, and media scholars to reflect on the programme’s significance, its position within the BBC and Britain’s continually evolving media, and its relationship to other comparable programmes. Of particular interest are the meanings attributed to music in the programme by both castaways and interviewers, the ways in which music is invoked in the public presentation of self, the incorporation of music within personal narratives, and changes in musical tastes during the seven decades spanned by the programme. Scholarly chapters are complemented by former castaways’ accounts of their appearances, which give fascinating insiders’ views into how the programme is made and how its guests prepare for their involvement.