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Constantine, M., & Porter, G. (2003-08-07). Fragments and Meaning in Traditional Song: From the Blues to the Baltic. : British Academy. Retrieved 4 Mar. 2021, from https://britishacademy.universitypressscholarship.com/view/10.5871/bacad/9780197262887.001.0001/upso-9780197262887.
Constantine, Mary-Ann, and Gerald Porter. Fragments and Meaning in Traditional Song: From the Blues to the Baltic. : British Academy,
January 31, 2012. British Academy Scholarship Online. Date Accessed 4 Mar. 2021 <https://britishacademy.universitypressscholarship.com/view/10.5871/bacad/9780197262887.001.0001/upso-9780197262887>.
Constantine, Mary-Ann, and Gerald Porter. Fragments and Meaning in Traditional Song: From the Blues to the Baltic. Oxford: British Academy, 2003. British Academy Scholarship Online, 2012. doi: 10.5871/bacad/9780197262887.001.0001.
Constantine M, Porter G. Fragments and Meaning in Traditional Song: From the Blues to the Baltic. British Academy; 2003. https://britishacademy.universitypressscholarship.com/view/10.5871/bacad/9780197262887.001.0001/upso-9780197262887. Accessed March 4, 2021.