- Title Pages
- Foreword
- Preface
- Acknowledgements
- Text I
- Introduction
- Text II
-
I Centaur-songs: Romanticism and broken forms - Text III
-
2 Singing the unspeakable - Text IV
-
3 ‘God was in France all Friday’: incoherence from the inside - Text V
-
4 Sea-changes: minimal texts as regenerative forms - Text VI
-
5 Forgetting as in(ter)vention: memory and context in very short songs -
Text VII
* -
6 Beating time: resistance and the subaltern voice in prison work songs - Text VIII
-
7 Fragments and fringes: the view from the centre -
Text IX
* -
8 The intertextuality of the song fragment -
Text X
* - Conclusion
-
Text XI - Intertexts: contexts
- Works cited
- Index of songs
- General index
‘God was in France all Friday’: incoherence from the inside
‘God was in France all Friday’: incoherence from the inside
- Chapter:
- (p.76) (p.77) 3 ‘God was in France all Friday’: incoherence from the inside
- Source:
- Fragments and Meaning in Traditional Song
- Author(s):
Mary-Ann Constantine
Gerald Porter
- Publisher:
- British Academy
This chapter discusses a comparison of the scholarly criteria used to describe ‘nonsense’ with the attitudes of singers, in the mutually related areas of lexical corruption and narrative collapse. The anxiety of corruption and nonsense and narrative collapse in the Child ballads of Nelson Ridley are examined in this chapter. The chapter concludes that incoherence is the state of not being whole or of being ‘not all there’.
Keywords: scholarly criteria, nonsense, attitudes, lexical corruption, narrative collapse, nonsense collapse, narrative collapse, Child ballads, Nelson Ridley, incoherence
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- Title Pages
- Foreword
- Preface
- Acknowledgements
- Text I
- Introduction
- Text II
-
I Centaur-songs: Romanticism and broken forms - Text III
-
2 Singing the unspeakable - Text IV
-
3 ‘God was in France all Friday’: incoherence from the inside - Text V
-
4 Sea-changes: minimal texts as regenerative forms - Text VI
-
5 Forgetting as in(ter)vention: memory and context in very short songs -
Text VII
* -
6 Beating time: resistance and the subaltern voice in prison work songs - Text VIII
-
7 Fragments and fringes: the view from the centre -
Text IX
* -
8 The intertextuality of the song fragment -
Text X
* - Conclusion
-
Text XI - Intertexts: contexts
- Works cited
- Index of songs
- General index