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Unity and Diversity in European Culture c.1800$
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Tim Blanning and Hagen Schulze

Print publication date: 2006

Print ISBN-13: 9780197263822

Published to British Academy Scholarship Online: January 2012

DOI: 10.5871/bacad/9780197263822.001.0001

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Unity and Diversity in European Culture, c. 1800: Summary of Discussion

Unity and Diversity in European Culture, c. 1800: Summary of Discussion

(p.199) Unity and Diversity in European Culture, c. 1800: Summary of Discussion
Unity and Diversity in European Culture c.1800

Vincent Morley

British Academy

This chapter summarizes issues discussed during the conference on ‘Unity and diversity in European culture, c. 1800’, held in September 2003. Emma Winter opened the first discussion session by suggesting that the replacement of traditional patronage by the market place and the gravitation of the centre of the art world from Rome to Paris were more contested than would appear from the paper presented by James Sheehan. With reference to John Deathridge's paper, Siegfried Weichlein suggested a connection between the rise of German idealism and Germany's retrospective identification with abstract symphonic music, with which Deathridge agreed. Coming back to Sheehan's paper, one participant pointed out the irony that in the eighteenth century the opera was quintessentially Italian while at the same time uniquely cosmopolitan. Volker Sellin suggested that Napoleon Bonaparte hampered rather than fostered German nationalism by abolishing many of the smaller free imperial cities, ecclesiastical territories, and so on in favour of modern states. Other speakers discussed topics related to cultural university and diversity in Europe, including cosmopolitanism, patriotism, nationalism and the invention of national languages.

Keywords:   Europe, culture, cosmopolitanism, patriotism, nationalism, national languages, Germany, music, Napoleon Bonaparte, patronage

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