- Title Pages
- Dedication
- Figures
- Notes on Contributors
- Introduction
- 1 Petrarch and the ‘barbari Britanni’
- 2 Petrarch <i>solitarius</i>
- 3 The Ethics of Ignorance: Petrarch’s Epicurus and Averroës and the Structures of the <i>De Sui Ipsius et Multorum Ignorantia</i>
- 4 Petrarch’s Second (and Third) Death
- 5 Poets and Heroes in Petrarch’s <i>Africa:</i> Classical and Medieval Sources
- 6 Petrarch Reading Dante: The Ascent of Mont Ventoux (<i>Familiares</i> 4. 1)
- 7 Petrarch and Cino da Pistoia: A Moment in the Pre-history of the <i>Canzoniere</i>
- 8 Petrarch and the Italian Reformation
- 9 Petrarch, Sidney, Bruno
- 10 Renaissance Misogyny and the Rejection of Petrarch
- 11 Impersonations of Laura in Sixteenth- and Seventeenth-century Italy
- 12 Other Petrarchs in Early Modern England
- 13 Thomas Watson’s <i>Hekatompathia</i> and European Petrarchism
- 14 The Comedy of Astrophil: Petrarchan Motifs in Sidney’s <i>Astrophil and Stella</i>
- 15 Sidney, Spenser, and Political Petrarchism
- 16 Petrarch and the Scottish Renaissance Sonnet
- 17 Leopardi and Petrarch
- 18 Between Tradition and Transgression: Amelia Rosselli’s Petrarch
- 19 Nineteenth-century British Biographies of Petrarch
- 20 Translating Petrarch
- Index
The Comedy of Astrophil: Petrarchan Motifs in Sidney’s Astrophil and Stella
The Comedy of Astrophil: Petrarchan Motifs in Sidney’s Astrophil and Stella
- Chapter:
- (p.228) (p.229) 14 The Comedy of Astrophil: Petrarchan Motifs in Sidney’s Astrophil and Stella
- Source:
- Petrarch in Britain
- Author(s):
John Roe
- Publisher:
- British Academy
This chapter examines the presence of Petrarchan motifs in Sir Philip Sydney's English sonnet Astrophil and Stella. It argues that despite Sidney's reputation as an anti-Petrarchan, much of his Astrophil and Stella was positively influenced by Petrarch. It explains that Sidney expanded Petrarchan antitheses beyond anything that can be found in the Canzoniere and in some poems he offered a witty critique of the Platonic interpretations of Petrarch commentators such as Giovanni Andrea Gesualdo.
Keywords: Sir Philip Sydney, English sonnet, Astrophil and Stella, Petrarch, Petrarchan antitheses, Canzoniere, Giovanni Andrea Gesualdo
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- Title Pages
- Dedication
- Figures
- Notes on Contributors
- Introduction
- 1 Petrarch and the ‘barbari Britanni’
- 2 Petrarch <i>solitarius</i>
- 3 The Ethics of Ignorance: Petrarch’s Epicurus and Averroës and the Structures of the <i>De Sui Ipsius et Multorum Ignorantia</i>
- 4 Petrarch’s Second (and Third) Death
- 5 Poets and Heroes in Petrarch’s <i>Africa:</i> Classical and Medieval Sources
- 6 Petrarch Reading Dante: The Ascent of Mont Ventoux (<i>Familiares</i> 4. 1)
- 7 Petrarch and Cino da Pistoia: A Moment in the Pre-history of the <i>Canzoniere</i>
- 8 Petrarch and the Italian Reformation
- 9 Petrarch, Sidney, Bruno
- 10 Renaissance Misogyny and the Rejection of Petrarch
- 11 Impersonations of Laura in Sixteenth- and Seventeenth-century Italy
- 12 Other Petrarchs in Early Modern England
- 13 Thomas Watson’s <i>Hekatompathia</i> and European Petrarchism
- 14 The Comedy of Astrophil: Petrarchan Motifs in Sidney’s <i>Astrophil and Stella</i>
- 15 Sidney, Spenser, and Political Petrarchism
- 16 Petrarch and the Scottish Renaissance Sonnet
- 17 Leopardi and Petrarch
- 18 Between Tradition and Transgression: Amelia Rosselli’s Petrarch
- 19 Nineteenth-century British Biographies of Petrarch
- 20 Translating Petrarch
- Index
