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TudorismHistorical Imagination and the Appropriation of the Sixteenth Century$
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Tatiana C. String and Marcus Bull

Print publication date: 2011

Print ISBN-13: 9780197264942

Published to British Academy Scholarship Online: January 2013

DOI: 10.5871/bacad/9780197264942.001.0001

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‘A Great National Heritage’: The Early Twentieth-Century Tudor Church Music Revival

‘A Great National Heritage’: The Early Twentieth-Century Tudor Church Music Revival

Chapter:
(p.78) (p.79) 4 ‘A Great National Heritage’: The Early Twentieth-Century Tudor Church Music Revival
Source:
Tudorism
Author(s):

SUZANNE COLE

Publisher:
British Academy
DOI:10.5871/bacad/9780197264942.003.0005

This chapter examines the revival of interest in early English choral music that took place in the first quarter of the twentieth century. It pays particular attention to the religious agendas driving this revival, and to the role of the Tudor Church Music edition, published in the 1920s by Oxford University Press, in promoting this music as a ‘national heritage’ of which all Englishmen could be proud.

Keywords:   early English choral music, religious agenda, Tudor Church Music, national heritage

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