The Music Room in Early Modern France and Italy: Sound, Space and Object
Deborah Howard and Laura Moretti
Abstract
This book investigates the use of secular space for music-making in Early Modern France and Italy. This era is remarkable for the growing importance of music in domestic life, ranging from elaborate court festivities to family recreation. In parallel with the emergence of the theatre as a separate building type, music-making in elite circles became more specialised through the employment of paid musicians, as opposed to amateur participation by the inhabitants and their guests. Meanwhile, however, music printing and the mass-production of instruments, especially lutes, allowed music-making to ... More
This book investigates the use of secular space for music-making in Early Modern France and Italy. This era is remarkable for the growing importance of music in domestic life, ranging from elaborate court festivities to family recreation. In parallel with the emergence of the theatre as a separate building type, music-making in elite circles became more specialised through the employment of paid musicians, as opposed to amateur participation by the inhabitants and their guests. Meanwhile, however, music printing and the mass-production of instruments, especially lutes, allowed music-making to diffuse down the social scale. The book shows how spaces specifically designed for music began to appear in private dwellings, while existing rooms became adapted for the purpose. At first, the number of rooms specifically identifiable as ‘music rooms’ was very small, but gradually, over the following 150 years, specialised music rooms began to appear in larger residences in both France and Italy. A major theme of the book is the relationship between the size and purpose of the room and the kinds of music performed – depending on the size, portability and loudness of different instruments; the types of music suited to spaces of different dimensions; the role of music in dancing and banqueting; and the positions of players and listeners. Musical instruments were often elaborately decorated to become works of art in their own right.
Keywords:
France,
Italy,
Early Modern,
music,
architecture,
acoustics,
court culture,
theatre,
musical instruments,
recreation
Bibliographic Information
| Print publication date: 2012 |
Print ISBN-13: 9780197265055 |
| Published to British Academy Scholarship Online: January 2013 |
DOI:10.5871/bacad/9780197265055.001.0001 |
Authors
Affiliations are at time of print publication.
Deborah Howard, editor
Professor Architectural History and Fellow of St John's College, University of Cambridge; Fellow of the British Academy
Laura Moretti, editor
Lecturer in Art History, School of Art History, University of St Andrews
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