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- Title Pages
- List of Illustrations
- Notes on Contributors
- Acknowledgements
- Introduction: Music-making in Domestic Space
- 1 Seduction and Spirituality: The Ambiguous Roles of Music in Venetian Art
- 2 When is a Room a Music Room? Sounds, Spaces, and Objects in Non-courtly Italian Interiors
- 3 The Place of Music in the Artist’s Home
- 4 Music in the French Domestic Interior (1500–1600)
- 5 The Role of Music in the Venetian Home in the Cinquecento
- 6 Women on the Edge: The ‘Saletta delle Dame’ of the Palazzo Salvadego in Brescia
- 7 Balance on the Lute: The Role of the Strings
- 8 The Lute: An Instrument for All Seasons
- 9 Assessing the Acoustic Performance of Small Music Rooms: A Short Introduction
- 10 ‘With tempered notes, in the green hills and among rivers’: Music, Learning, and the Symbolic Space of Recreation in the Manuscript Modena, Biblioteca Estense Universitaria, α.F.9.9
- 11 Spaces for Music in Sixteenth-Century Paduan Courts
- 12 Caccini’s Stages: Identity and Performance Space in the Late Cinquecento Court
- 13 Spaces for Musical Performance in the Este Court in Ferrara (<i>c</i>. 1440–1540)
- 14 Music Rooms in the Ducal Palace in Mantua: From Andrea Mantegna to Giovan Battista Bertani
- 15 Queen Christina of Sweden as a Patron of Music in Rome in the Mid-Seventeenth Century
- 16 The Acoustic Analysis of Palladio’s Teatro Olimpico, Vicenza
- 17 Music at Home: Spaces for Music in French Seventeenth-Century Residential Architecture
- 18 Spaces for Musical Performance in Seventeenth-Century Roman Residences
- Abstracts
- Index
(p.330) (p.331) Index
(p.330) (p.331) Index
- Source:
- The Music Room in Early Modern France and Italy
- Publisher:
- British Academy
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- Title Pages
- List of Illustrations
- Notes on Contributors
- Acknowledgements
- Introduction: Music-making in Domestic Space
- 1 Seduction and Spirituality: The Ambiguous Roles of Music in Venetian Art
- 2 When is a Room a Music Room? Sounds, Spaces, and Objects in Non-courtly Italian Interiors
- 3 The Place of Music in the Artist’s Home
- 4 Music in the French Domestic Interior (1500–1600)
- 5 The Role of Music in the Venetian Home in the Cinquecento
- 6 Women on the Edge: The ‘Saletta delle Dame’ of the Palazzo Salvadego in Brescia
- 7 Balance on the Lute: The Role of the Strings
- 8 The Lute: An Instrument for All Seasons
- 9 Assessing the Acoustic Performance of Small Music Rooms: A Short Introduction
- 10 ‘With tempered notes, in the green hills and among rivers’: Music, Learning, and the Symbolic Space of Recreation in the Manuscript Modena, Biblioteca Estense Universitaria, α.F.9.9
- 11 Spaces for Music in Sixteenth-Century Paduan Courts
- 12 Caccini’s Stages: Identity and Performance Space in the Late Cinquecento Court
- 13 Spaces for Musical Performance in the Este Court in Ferrara (<i>c</i>. 1440–1540)
- 14 Music Rooms in the Ducal Palace in Mantua: From Andrea Mantegna to Giovan Battista Bertani
- 15 Queen Christina of Sweden as a Patron of Music in Rome in the Mid-Seventeenth Century
- 16 The Acoustic Analysis of Palladio’s Teatro Olimpico, Vicenza
- 17 Music at Home: Spaces for Music in French Seventeenth-Century Residential Architecture
- 18 Spaces for Musical Performance in Seventeenth-Century Roman Residences
- Abstracts
- Index
