The Black Panther Party
The Black Panther Party
Three Moments of Music
This chapter examines the ways in which the Black Panther Party (BPP) used popular music as a means to represent its ideology and politics to potential supporters during the peak of its activism in the late 1960s and early 1970s. Following an initial discussion of the ways in which the traditions of the U.S. left and popular music impacted upon the BPP, it explores the idea of black nationalism as understood and represented by the Panthers, its relationship to the traditions of Marxism, and the ways in which this relationship informed the cultural practice of the BPP. Finally, there is an examination of the ‘three moments’ alluded to in the title, a series of musical performances and recordings sponsored by the party.
Keywords: Marxism, Black Panther Party, black nationalism, popular music, Emory Douglas, Angela Davies
British Academy Scholarship Online requires a subscription or purchase to access the full text of books within the service. Public users can however freely search the site and view the abstracts and keywords for each book and chapter.
Please, subscribe or login to access full text content.
If you think you should have access to this title, please contact your librarian.
To troubleshoot, please check our FAQs , and if you can't find the answer there, please contact us.