Show Summary Details
- Title Pages
- Figures and Examples
- Notes on Contributors
- Acknowledgements
- 1 Communisms, Communist Musics
- 2 Towards Political and Musical Renewal
- 3 Talking Union
- 4 ‘Non, je ne regrette rien’
- 5 The Multiple Politics of Henry Cow
- 6 On Music and Politics
- 7 ‘Music Left and Right’
- 8 ‘Workers’ Music’
- 9 From the Andes to Paris
- 10 ‘Put My Name Down’
- 11 Music, the Political Score, and Communism in Australia: 1945–1968
- 12 ‘In onore della Resistenza’
- 13 Key Questions of Antagonist Music-Making
- 14 Black, White, and Red
- 15 The Black Panther Party
- 16 Music, the Fête de l’Humanité, and Demographic Change in Post-War France
- 17 New ‘Old Leftist’ Aesthetics in the West German Contemporary Music Scene
- 18 Rocking Against Racism
- 19 Class Love and the Unfinished Transformation of Social Hierarchy in Nepali Communist Songs
- Index
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- Title Pages
- Figures and Examples
- Notes on Contributors
- Acknowledgements
- 1 Communisms, Communist Musics
- 2 Towards Political and Musical Renewal
- 3 Talking Union
- 4 ‘Non, je ne regrette rien’
- 5 The Multiple Politics of Henry Cow
- 6 On Music and Politics
- 7 ‘Music Left and Right’
- 8 ‘Workers’ Music’
- 9 From the Andes to Paris
- 10 ‘Put My Name Down’
- 11 Music, the Political Score, and Communism in Australia: 1945–1968
- 12 ‘In onore della Resistenza’
- 13 Key Questions of Antagonist Music-Making
- 14 Black, White, and Red
- 15 The Black Panther Party
- 16 Music, the Fête de l’Humanité, and Demographic Change in Post-War France
- 17 New ‘Old Leftist’ Aesthetics in the West German Contemporary Music Scene
- 18 Rocking Against Racism
- 19 Class Love and the Unfinished Transformation of Social Hierarchy in Nepali Communist Songs
- Index
