- Title Pages
- Figures and tables
- Notes on contributors
- Foreword: In search of discographic others
- References
-
1 Introduction: Desert Island Discs in context - Personal Spin A
-
2 The cultural baggage of the desert island -
3 From Forces’ Choice to Desert Island Discs: The BBC’s promotion of personal choice in wartime -
4 Desert island discomorphoses: Listening formations and the material cultures of music - Personal Spin B
- Personal Spin C
-
5 Adrift or ashore? Desert Island Discs and celebrity culture -
6 Playlists and prizes: Cultural authority, personal taste, and musical value since the 1940s -
7 What does it mean to be cultured? Desert Island Discs as an ideological archive - Personal Spin D
- Personal Spin E
-
8 Desert Island Discs and British emotional life -
9 Punk, class, and taste in Desert Island Discs -
10 Peripheral identities on Desert Island Discs and Beti a’i Phobol - Personal Spin F
- Personal Spin G
-
11 Public and narrative selves in Desert Island Discs -
12 Desert island dislocation: Emotion, nostalgia, and the utility of music -
13 Musicianly lives musically told: Oral history, classical music, and Desert Island Discs - Personal Spin H
- Personal Spin I
- Personal Spin J
-
14 Afterword: Playing the discographic self - Index
Personal Spin B
Personal Spin B
Desert Island Discs producer
- Chapter:
- (p.83) Personal Spin B
- Source:
- Defining the Discographic Self
- Author(s):
Derek Drescher
- Publisher:
- British Academy
Desert Island Discs was, and probably still is, the one radio programme that everyone wants to appear on. So when I was asked to produce it in 1976, I saw it as a golden opportunity to meet all my heroes, from Lauren Bacall, Luciano Pavarotti, and Sir Adrian Boult to Count Basie and Felicity Kendal....
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- Title Pages
- Figures and tables
- Notes on contributors
- Foreword: In search of discographic others
- References
-
1 Introduction: Desert Island Discs in context - Personal Spin A
-
2 The cultural baggage of the desert island -
3 From Forces’ Choice to Desert Island Discs: The BBC’s promotion of personal choice in wartime -
4 Desert island discomorphoses: Listening formations and the material cultures of music - Personal Spin B
- Personal Spin C
-
5 Adrift or ashore? Desert Island Discs and celebrity culture -
6 Playlists and prizes: Cultural authority, personal taste, and musical value since the 1940s -
7 What does it mean to be cultured? Desert Island Discs as an ideological archive - Personal Spin D
- Personal Spin E
-
8 Desert Island Discs and British emotional life -
9 Punk, class, and taste in Desert Island Discs -
10 Peripheral identities on Desert Island Discs and Beti a’i Phobol - Personal Spin F
- Personal Spin G
-
11 Public and narrative selves in Desert Island Discs -
12 Desert island dislocation: Emotion, nostalgia, and the utility of music -
13 Musicianly lives musically told: Oral history, classical music, and Desert Island Discs - Personal Spin H
- Personal Spin I
- Personal Spin J
-
14 Afterword: Playing the discographic self - Index
