Show Summary Details
- Title Pages
- Figures and tables
- Notes on contributors
- Foreword: In search of discographic others
- References
- 1 Introduction: <i>Desert Island Discs</i> in context
- Personal Spin A
- 2 The cultural baggage of the desert island
- 3 From <i>Forces’ Choice</i> to <i>Desert Island Discs</i>: The BBC’s promotion of personal choice in wartime
- 4 Desert island discomorphoses: Listening formations and the material cultures of music
- Personal Spin B
- Personal Spin C
- 5 Adrift or ashore? <i>Desert Island Discs</i> and celebrity culture
- 6 Playlists and prizes: Cultural authority, personal taste, and musical value since the 1940s
- 7 What does it mean to be cultured? <i>Desert Island Discs</i> as an ideological archive
- Personal Spin D
- Personal Spin E
- 8 <i>Desert Island Discs</i> and British emotional life
- 9 Punk, class, and taste in <i>Desert Island Discs</i>
- 10 Peripheral identities on <i>Desert Island Discs</i> and <i>Beti a’i Phobol</i>
- Personal Spin F
- Personal Spin G
- 11 Public and narrative selves in <i>Desert Island Discs</i>
- 12 Desert island dislocation: Emotion, nostalgia, and the utility of music
- 13 Musicianly lives musically told: Oral history, classical music, and <i>Desert Island Discs</i>
- Personal Spin H
- Personal Spin I
- Personal Spin J
- 14 Afterword: Playing the discographic self
- Index
(p.vii) Figures and tables
(p.vii) Figures and tables
- Source:
- Defining the Discographic Self
- Author(s):
- Julie Brown, Nicholas Cook, Stephen Cottrell
- Publisher:
- British Academy
British Academy Scholarship Online requires a subscription or purchase to access the full text of books within the service. Public users can however freely search the site and view the abstracts and keywords for each book and chapter.
Please, subscribe or login to access full text content.
If you think you should have access to this title, please contact your librarian.
To troubleshoot, please check our FAQs , and if you can't find the answer there, please contact us.
- Title Pages
- Figures and tables
- Notes on contributors
- Foreword: In search of discographic others
- References
- 1 Introduction: <i>Desert Island Discs</i> in context
- Personal Spin A
- 2 The cultural baggage of the desert island
- 3 From <i>Forces’ Choice</i> to <i>Desert Island Discs</i>: The BBC’s promotion of personal choice in wartime
- 4 Desert island discomorphoses: Listening formations and the material cultures of music
- Personal Spin B
- Personal Spin C
- 5 Adrift or ashore? <i>Desert Island Discs</i> and celebrity culture
- 6 Playlists and prizes: Cultural authority, personal taste, and musical value since the 1940s
- 7 What does it mean to be cultured? <i>Desert Island Discs</i> as an ideological archive
- Personal Spin D
- Personal Spin E
- 8 <i>Desert Island Discs</i> and British emotional life
- 9 Punk, class, and taste in <i>Desert Island Discs</i>
- 10 Peripheral identities on <i>Desert Island Discs</i> and <i>Beti a’i Phobol</i>
- Personal Spin F
- Personal Spin G
- 11 Public and narrative selves in <i>Desert Island Discs</i>
- 12 Desert island dislocation: Emotion, nostalgia, and the utility of music
- 13 Musicianly lives musically told: Oral history, classical music, and <i>Desert Island Discs</i>
- Personal Spin H
- Personal Spin I
- Personal Spin J
- 14 Afterword: Playing the discographic self
- Index