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The Translation of Films, 1900-1950$
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Carol O'Sullivan and Jean-François Cornu

Print publication date: 2019

Print ISBN-13: 9780197266434

Published to British Academy Scholarship Online: September 2019

DOI: 10.5871/bacad/9780197266434.001.0001

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Film translation in Sweden in the early 1930s

Film translation in Sweden in the early 1930s

Chapter:
(p.255) 14 Film translation in Sweden in the early 1930s
Source:
The Translation of Films, 1900-1950
Author(s):

Christopher Natzén

Publisher:
British Academy
DOI:10.5871/bacad/9780197266434.003.0014

The main focus of this chapter is how the Swedish film industry settled on subtitling as its method of film translation in the late 1920s and early 1930s. The early 1930s saw a gradual shift towards favouring subtitling over dubbing and intertitles. Subtitling was further promoted as new methods for providing the subtitles on the film were developed. A second focus in the chapter is the heightened media sensitivity brought on by dubbing and how this may be related to distributors’ experiments in film translation during the early years of conversion to sound. As the years progressed, a consensus developed in Sweden in favour of subtitling, which was perceived as unobtrusive, since it masked the technical construction of the film medium for those spectators who knew the spoken language in the film.

Keywords:   An American Tragedy, conversion to sound, dubbing, film translation, subtitles, Swedish film industry, audiovisual translation history

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