Show Summary Details
- Title Pages
- Dedication
- Plates
- Figures
- Tables
- Notes on contributors
- Foreword
- Acknowledgements
-
1 Introduction Film history meets translation history: The lure of the archive -
2 Titles and translation in the field of film restoration -
3 Early titling on films and Pathé’s innovative and multilingual strategies in 1903 -
4 Intertitles, translation, and subtitling: Major issues for the restoration of silent films -
5 ‘Don’t mention the war’: The Soviet re-editing of Three Live Ghosts -
6 Confessions of a film restorer -
7 Universal language, local accent: Music and song in the early talking film -
8 Silence, sound, accents: Early film translation in the Spanish-speaking world -
9 A ‘delirium tremens’: Italian-language film versions and early dubbings by Paramount, MGM, and Fox (1930–3) -
10 Dubbing in the early 1930s: An improbable policy -
11 The significance of dubbed versions for early sound-film history -
12 The reception of dubbing in France 1931–3: The case of Paramount -
13 Creativity under constraints: The beginning of film translation in Mandatory Palestine -
14 Film translation in Sweden in the early 1930s -
15 ‘A splendid innovation, these English titles!’ The invention of subtitling in the USA and the UK1 -
16 Conclusion The public face of film translation history - Select bibliography
- Index
(p.xvii) Foreword
(p.xvii) Foreword
- Source:
- The Translation of Films, 1900-1950
- Author(s):
Paolo Cherchi Usai
- Publisher:
- British Academy
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- Title Pages
- Dedication
- Plates
- Figures
- Tables
- Notes on contributors
- Foreword
- Acknowledgements
-
1 Introduction Film history meets translation history: The lure of the archive -
2 Titles and translation in the field of film restoration -
3 Early titling on films and Pathé’s innovative and multilingual strategies in 1903 -
4 Intertitles, translation, and subtitling: Major issues for the restoration of silent films -
5 ‘Don’t mention the war’: The Soviet re-editing of Three Live Ghosts -
6 Confessions of a film restorer -
7 Universal language, local accent: Music and song in the early talking film -
8 Silence, sound, accents: Early film translation in the Spanish-speaking world -
9 A ‘delirium tremens’: Italian-language film versions and early dubbings by Paramount, MGM, and Fox (1930–3) -
10 Dubbing in the early 1930s: An improbable policy -
11 The significance of dubbed versions for early sound-film history -
12 The reception of dubbing in France 1931–3: The case of Paramount -
13 Creativity under constraints: The beginning of film translation in Mandatory Palestine -
14 Film translation in Sweden in the early 1930s -
15 ‘A splendid innovation, these English titles!’ The invention of subtitling in the USA and the UK1 -
16 Conclusion The public face of film translation history - Select bibliography
- Index
