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Ariosto, the Orlando Furioso and English Culture$

Jane E. Everson, Andrew Hiscock, and Stefano Jossa

Print publication date: 2019

Print ISBN-13: 9780197266502

Published to British Academy Scholarship Online: September 2019

DOI: 10.5871/bacad/9780197266502.001.0001

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PRINTED FROM BRITISH ACADEMY SCHOLARSHIP ONLINE (www.britishacademy.universitypressscholarship.com). (c) Copyright British Academy, 2020. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in BASO for personal use.date: 03 June 2020

(p.ix) Figures and Table

(p.ix) Figures and Table

Source:
Ariosto, the Orlando Furioso and English Culture
Author(s):
Jane E. Everson, Andrew Hiscock, Stefano Jossa
Publisher:
British Academy

Figures

  1. 2.1 Emblem with the bees, in Ludovico Ariosto, Orlando furioso (1516) 33

  2. 2.2 Medal of Lodovico Ariosto, by Pastorino di Giovan Michele de’ Pastorini (c. 1555) 37

  3. 2.3 Portrait of Lodovico Ariosto, in Orlando furioso (1532) 37

  4. 2.4 Image of a sheep nursing a wolf cub, in Orlando furioso (1532) 38

  5. 2.5 Illustration of canto 1, from Orlando furioso, tutto ricorretto, et di nuove figure adornato (1556) 41

  6. 2.6 Illustration of canto 35, from Orlando furioso di m. Lodovico Ariosto nuovamente adornato di figure di rame da Girolamo Porro (1584) 42

  7. 3.1 Girolamo Porro, plate for canto 28, in Ludovico Ariosto, Orlando furioso, nuouamente adornato di figure di rame da Girolamo Porro padouano (1584) 59

  8. 3.2 Plate for canto 28, in John Harington, Orlando Furioso in English Heroical Verse (1591) 60

  9. 3.3 Detail of Figure 3.2: Iocondo reveals to King Astolfo the infidelity of the Queen 61

  10. 3.4 Iocondo reveals to King Astolfo the infidelity of the Queen, woodcut on the title-page of [Ludovico Ariosto], Historia del re de Pauia (after 1540) 63

  11. 3.5 A comparison of the shapes of King Astolfo in Figures 3.3 and 3.4 63

  12. 3.6 Modo 2, woodcut illustration from Pietro Aretino, Sonetti lussuriosi 66

  13. 8.1 Angelica comforts the lamenting Sacripante. Engraving by F. Bortolozzi from an original painting by Angelica Kauffmann, RA, reproduced from Orlando furioso translated from the Italian of Lodovico Ariosto with notes by John Hoole, in five volumes (1799) 166

  14. 8.2 Orlando’s madness. Engraving by William Blake from an original painting by Thomas Stothard, RA, reproduced from Orlando furioso translated from the Italian of Lodovico Ariosto with notes by John Hoole, in five volumes (1799) 167

  15. 9.1 William Hogarth, Tom Rakewell in Bedlam (1732–3; engraved 1735) 182