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New Light on Tony Harrison$
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Edith Hall

Print publication date: 2019

Print ISBN-13: 9780197266519

Published to British Academy Scholarship Online: September 2019

DOI: 10.5871/bacad/9780197266519.001.0001

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PRINTED FROM BRITISH ACADEMY SCHOLARSHIP ONLINE (www.britishacademy.universitypressscholarship.com). (c) Copyright British Academy, 2020. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in BASO for personal use.date: 03 April 2020

A Poet behind the Camera

A Poet behind the Camera

Chapter:
(p.177) 15 A Poet behind the Camera
Source:
New Light on Tony Harrison
Author(s):

Peter Symes

Publisher:
British Academy
DOI:10.5871/bacad/9780197266519.003.0015

In this chapter Peter Symes explores Tony Harrison’s film-poems, describing how over the last four decades the poet has constantly experimented and learned from discovery, hard graft, trial and error. Taking three detailed examples, he outlines how Harrison has developed the form, and how the use of verse can intensify and illuminate the visual in ways not possible with prose. Harrison prefaced his major feature film, Prometheus, with Pasolini’s words: ‘to make films is to be a poet’. He has managed to invert that. He is a poet who makes film

Keywords:   Tony Harrison, Peter Symes, Film Poetry, Loving Memory, The Blasphemers’ Banquet, The Shadow of Hiroshima, Prometheus

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