Jump to ContentJump to Main Navigation
The Music RoadCoherence and Diversity in Music from the Mediterranean to India$
Users without a subscription are not able to see the full content.

Reinhard Strohm

Print publication date: 2019

Print ISBN-13: 9780197266564

Published to British Academy Scholarship Online: January 2020

DOI: 10.5871/bacad/9780197266564.001.0001

Show Summary Details
Page of

PRINTED FROM BRITISH ACADEMY SCHOLARSHIP ONLINE (www.britishacademy.universitypressscholarship.com). (c) Copyright British Academy, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in BASO for personal use.date: 04 August 2021

Sonic Entanglements, Visual Records and the Gandhāran Nexus

Sonic Entanglements, Visual Records and the Gandhāran Nexus

Chapter:
(p.41) 3 Sonic Entanglements, Visual Records and the Gandhāran Nexus
Source:
The Music Road
Author(s):

Gabriela Curie

Publisher:
British Academy
DOI:10.5871/bacad/9780197266564.003.0003

Visual representations of music-making from ancient Gandhāra—a region in today’s north-western Pakistan and eastern Afghanistan—bear witness to the early dissemination of music instruments and iconographic practices, as part of the intellectual and artistic exchanges along Eurasian trade routes during the early centuries of the Common Era. At the intersection of cultural spheres—Buddhist, Hellenistic and Zoroastrian; Indian and Persian; Kuṣāṇa, Parthian and Indo-Scythian—Gandhāran musical culture offers one perfect, albeit challenging, example of a nexus of transcultural expression. The entangled organological and iconographical histories embedded in Gandhāran artefacts lend themselves to transcultural analysis, and to the understanding of pre-modern processes of musical globalisation, encounter, exchange and hybridisation or entanglement. Since the Gandhāran world partakes in the networks of the Silk Roads as both a ‘receiver’ and ‘transmitter’ of culture, it seems to display cultural cosmopolitanism par excellence: a nexus of both centripetal and centrifugal transcultural music-iconographical and organological negotiations.

Keywords:   music iconography, organology, transcultural commerce, pre-modern Eurasia, musical routes

British Academy Scholarship Online requires a subscription or purchase to access the full text of books within the service. Public users can however freely search the site and view the abstracts and keywords for each book and chapter.

Please, subscribe or login to access full text content.

If you think you should have access to this title, please contact your librarian.

To troubleshoot, please check our FAQs , and if you can't find the answer there, please contact us.