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Under the SkinFeminist Art and Art Histories from the Middle East and North Africa Today$
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Ceren Özpınar and Mary Kelly

Print publication date: 2020

Print ISBN-13: 9780197266748

Published to British Academy Scholarship Online: May 2021

DOI: 10.5871/bacad/9780197266748.001.0001

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PRINTED FROM BRITISH ACADEMY SCHOLARSHIP ONLINE (www.britishacademy.universitypressscholarship.com). (c) Copyright British Academy, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in BASO for personal use.date: 17 September 2021

Feminism and Social Critique in Syrian Contemporary Art

Feminism and Social Critique in Syrian Contemporary Art

Chapter:
(p.26) 2 Feminism and Social Critique in Syrian Contemporary Art
Source:
Under the Skin
Author(s):

Charlotte Bank

Publisher:
British Academy
DOI:10.5871/bacad/9780197266748.003.0003

This chapter examines artworks by young Syrian artists produced during the first decade of the twenty–first–century. Seeking to distance themselves from what they perceived as outdated aesthetics, seen in the work of their teachers in the art school and the work exhibited at the official, state–sponsored artistic events, the young generation of artists began experimenting with artistic techniques and media that were new to the country, also searching for new ways to interact with society and advocate for social and eventually political change in the country. They addressed a wide range of issues related to the contemporary Syrian society and made a critique of the social and political status quo. Critical examinations of gender norms presented an important aspect of their critical art production, as they regarded the issues of gender as an important part of their wider project of re–thinking art as a means for social and political change.

Keywords:   Social critique, Contemporary media, Syria, Video art, Installation, Feminism

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